16 Songs, 56 Minutes

EDITORS’ NOTES

This album is Mastered for iTunes. For Kisses on the Bottom, Paul McCartney dips into the same songbook of 20th-century standards he’s so generously contributed to as a songwriter and a Beatle. With guest contributions from Eric Clapton and Stevie Wonder and backing by jazz vocalist/pianist Diana Krall and her band, he interprets favorites from his youth popularized by the likes of Fats Waller (“I’m Gonna Sit Right Down and Write Myself a Letter”), Nat King Cole (“It’s Only a Paper Moon”), and Frank Sinatra (“My One and Only Love,” one of two bonus tracks).

EDITORS’ NOTES

This album is Mastered for iTunes. For Kisses on the Bottom, Paul McCartney dips into the same songbook of 20th-century standards he’s so generously contributed to as a songwriter and a Beatle. With guest contributions from Eric Clapton and Stevie Wonder and backing by jazz vocalist/pianist Diana Krall and her band, he interprets favorites from his youth popularized by the likes of Fats Waller (“I’m Gonna Sit Right Down and Write Myself a Letter”), Nat King Cole (“It’s Only a Paper Moon”), and Frank Sinatra (“My One and Only Love,” one of two bonus tracks).

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About Paul McCartney

As Beatlemania was transforming rock ’n’ roll from passing teen fad to permanent pop-cultural movement, Paul McCartney (born in Liverpool in 1942) became the driving force behind the band’s rapid, dramatic maturation. In just two years, he had graduated from the Little Richard worship of 1963’s “I Saw Her Standing There” to the exquisite orchestral balladry of “Yesterday”—a shift that intensified the contrast between McCartney and his increasingly acerbic songwriting partner, John Lennon. But as The Beatles’ entered their late-’60s experimental phase—during which Lennon’s avant-garde impulses came to the fore—McCartney’s traditionalism constituted its own form of radicalism. Within the band’s psychedelic milieu, his embrace of pre-rock forms, like classical (“Eleanor Rigby”) and English music-hall serenades (“When I’m Sixty-Four”), felt no less surreal than The Beatles' use of tape-loop freak-outs and sitar drones. (And this is to say nothing of Paul's sublime bass playing, which elevated the four-string from rhythmic undercurrent to melodic focal point.) His post-Beatles albums have proven equally uncanny and influential: 1971’s art-folk opus Ram provided the lo-fi schematic for future generations of DIY home-recording artists, while the arena-rattling roar of “Jet,” from McCartney's subsequent band Wings’ 1973 LP Band on the Run, shows why he’s become a muse to hard rockers such as Dave Grohl. And by continually collaborating with the hitmakers of the day—from Michael Jackson in the 1980s to Rihanna and Kanye West in the 2010s—he has remained a voracious pop omnivore, as connected to music's past as its future.

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