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L-event - EP

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Album Review

The four-track, half-hour L-Event trailed the 17-track, two-hour Exai by almost eight months. Much of it is among Autechre's most direct, least complex output, yet it's no less fascinating than any of their intricate material. "Newbound" and the chunkier "M39 Diffain" creep and slash with a startling degree of sharpness. Both of them would have been among Exai's high points. "Tac Lacora," the opener, is all mangled shards, confrontational to the point of provoking agitation, while "Osla for N" works stark percussion that resembles a fusion of struck woodblocks and dog barks. One can't be faulted for having checked out on Autechre years ago — the discography is immense — but Brown and Booth have continued to produce abstract electronic music that is inspired and frequently sensational.

Customer Reviews

Post Exai EP

…feels a lot like an extension to Exai. An excellent extension at that. It could be that it feels so close to Exai, that I'm possibly missing something, I dunno. But I love this. Discombobulated darkness is turned up a tidge here, with some choral synths permeating three of these tracks. I absolutely loved Exai, and it's still in heavy rotation. Not standard fare, but expected fare imo. Quality Autechre. A++

Quality as ever.

...little broken toys, all wound up and ticking and whirring on in the dark, where a soul is found.


Truly another step forward, always forward with them. Best yet.
-thank you.


Formed: 1987 in Rochdale, Lancashire, England

Genre: Electronic

Years Active: '90s, '00s, '10s

Like Aphex Twin, Autechre were about as close to being experimental techno superstars as the tenets of their genre and the limitations of their audience allowed. Through a series of full-length works and a smattering of EPs on Warp, Clear, and their own Skam label, Autechre consistently garnered the praise of press and public alike. Unlike many of their more club-bound colleagues, however, Autechre's Sean Booth and Rob Brown had roots planted firmly in American electro, and though the more mood-based,...
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