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2400 Fulton Street

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Album Review

This was the first serious effort to assemble the best and most interesting of the Jefferson Airplane's work from beginning to end. At the time, the group's catalog on CD was in a woeful state of disrepair, hastily mastered from LP production sources and sounding worse than original vinyl copies of many of the titles, and there was no comprehensive anthology, just the Worst of Jefferson Airplane compilation from 1970. 2400 Fulton Street isn't ideal, jumping around a little too much, but provides a look for the uninitiated into the evolution of the group's sound from a mixed electric-acoustic folk rock ensemble, not too different from the Mugwumps et al., into a high-energy rock band and, for a time, one of the more daring psychedelic outfits. Additionally, even longtime fans will appreciate most of the jumps that are made, for all of the essentials are here — most of Surrealistic Pillow, along with highlights from the surrounding albums up through the end of the group's history (with a Levi's radio commercial featuring the band thrown in for good measure) and a few odd singles and B-sides that otherwise usually get overlooked. Moreover, the sound was a major improvement at the time (though it has since been outdone on the re-releases of the individual albums), and the notes contained what was, at the time, perhaps the best easily available account of the group's history.

Customer Reviews

2400 Fulton Street -Jefferson Airplane

Absolute perfection of a collection. It shows off the Airplane at their folk/blues/psychedelic/Rock best. A perfect set for longtime fans and new ones.


Formed: 1965 in San Francisco, CA

Genre: Rock

Years Active: '60s, '70s, '80s

Jefferson Airplane was the first of the San Francisco psychedelic rock groups of the 1960s to achieve national recognition. Although the Grateful Dead ultimately proved more long-lived and popular, Jefferson Airplane defined the San Francisco sound in the 1960s, with the acid rock guitar playing of Jorma Kaukonen and the soaring twin vocals of Grace Slick and Marty Balin, scoring hit singles and looking out from the covers of national magazines. They epitomized the drug-taking hippie ethos as well...
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