16 Songs, 1 Hour, 6 Minutes

EDITORS’ NOTES

Lazy Bones!! was the third album by the '70s Zambian band Witch. The group was part of the country’s Zamrock scene, a phenomenon that's been getting renewed attention in the ‘10s via reissues. Witch started off sounding like an exciting garage band and ended up playing rock with African elements; this 1975 release mixes hard rock with ’60s psych flavorings. “Black Tears” opens with gentle fuzztones blending with acoustic guitar before a boogie beat kicks in and the heavy riffing commences. “Motherless Child” evokes the Detroit-based band Rare Earth, another ‘70s outfit that mixed crunching rock and R&B. One section of “October Night” has a clearly African vibe that's mostly absent from the other material. The title track, perhaps the catchiest cut, has a swinging groove that’s irresistible. “Evil Woman” is a slice of scraggly psych that deftly deploys wah-wah. (The album's guitar playing is consistently inventive and sometimes downright wild.) “Little Clown” veers into perky pop, while the closer, “Up the Sky,” sports a steady chug that undergirds its melancholy vocals.

EDITORS’ NOTES

Lazy Bones!! was the third album by the '70s Zambian band Witch. The group was part of the country’s Zamrock scene, a phenomenon that's been getting renewed attention in the ‘10s via reissues. Witch started off sounding like an exciting garage band and ended up playing rock with African elements; this 1975 release mixes hard rock with ’60s psych flavorings. “Black Tears” opens with gentle fuzztones blending with acoustic guitar before a boogie beat kicks in and the heavy riffing commences. “Motherless Child” evokes the Detroit-based band Rare Earth, another ‘70s outfit that mixed crunching rock and R&B. One section of “October Night” has a clearly African vibe that's mostly absent from the other material. The title track, perhaps the catchiest cut, has a swinging groove that’s irresistible. “Evil Woman” is a slice of scraggly psych that deftly deploys wah-wah. (The album's guitar playing is consistently inventive and sometimes downright wild.) “Little Clown” veers into perky pop, while the closer, “Up the Sky,” sports a steady chug that undergirds its melancholy vocals.

TITLE TIME
4:54
3:57
4:33
3:17
4:04
4:28
4:39
2:54
4:02
3:29
5:18
6:00
3:06
4:05
3:47
3:40

About Witch

A pioneering group from the nation of Zambia, Witch (the name was an acronym, standing for We Intend To Cause Havoc) were one of the defining acts of Zamrock, a fusion of Western rock and rhythm & blues with traditional African sounds; they were among Zambia's most popular and influential bands in the 1970s as a wave of psychedelic and hard rock gained an audience in Africa. A landlocked nation in the South of Africa, Zambia was formerly Northern Rhodesia until gaining its independence in 1964, and as Zambia established its own national identity, local musicians began embracing the progressive influences of artists such as the Beatles, the Rolling Stones, and Jimi Hendrix, as well as the forward-thinking soul and funk sounds of James Brown. By the mid-'70s, Zambia was falling into political chaos as the nation's once profitable mining industry ran dry, and many Zamrock bands reflected this with a darker, more psychedelic-influenced sound that suggested a familiarity with the likes of Deep Purple and Grand Funk Railroad.

Witch included vocalist Emanyeo "Jagari" Chanda, guitarists Chris Mbewe and John Muma, bassist Gedeon Mulenga, and drummer Boidi Sinkala, who were veterans of Zambian cover bands of the late '60s; Chanda (whose nickname "Jagari" came from his fascination with Mick Jagger, one of his strongest influences) had worked with the Red Balloons and the Boyfriends (the latter group would evolve into another key Zamrock outfit, Peace), while most of the other members were members of Kingston Market. In 1971, Chanda sang with Kingston Market at a school function, and he was soon invited to join the group; they soon changed their name to the Mighty Witch, and then simply Witch, using the acronym they'd coined as explanation. Fueled by marijuana and Western rock and soul, the group's debut album, Introduction, was released in 1972, and was among the first commercially released LPs issued in Zambia. Witch's third album, 1975's Lazy Bones!!, is generally regarded as their finest work; while they were hampered by the primitive recording technology available in Africa, they developed a large following in Zambia and were playing stadium-sized shows throughout the continent.

After Witch toured as an opening act for Osibisa, the U.K.-based Afro-rock band, they began including more local influences on their final two albums, Lukombo Vibes and Including Janet (Single), but in 1977 the group began to splinter when Chanda left the band to return to school and become a teacher, and the rise of disco and loss of venues for live music did the rest. Chanda also became a born-again Christian, which he cites as one of the reason he avoided the fate that befell his bandmates; as the AIDS epidemic swept through Africa, the Zambian musical community was hit especially hard, and like most key Zamrock musicians of the 1970s, Mbewe, Muma, Mulenga, and Sinkala all succumbed to the disease. In the 21st century, crate diggers interested in idiosyncratic rock sounds from around the world rediscovered Witch, and the German reissue label Shadoks brought out new CD editions of Introduction and Lazy Bones!! In 2012 the American label Now Again Records released a comprehensive Witch box set that featured their five studio albums plus a bonus collection of single tracks and unreleased material. ~ Mark Deming

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