"Like a Rose" by Ashley Monroe on iTunes

9 Songs

EDITORS’ NOTES

Ashley Monroe has been a country star waiting to happen for some years now. Like a Rose—her first solo release since her stint with The Pistol Annies—deserves to be her breakthrough. Cowriting with such stellar tunesmiths as Guy Clark, Lori McKenna, and producer Vince Gill, Monroe delivers a batch of songs notable for sharp wit and honest emotion. There are echoes of Loretta Lynn’s honky-tonk feminism and Emmylou Harris' bittersweet grace. Monroe uses her winsome, pure-toned vocals for powerful statements about life, loss, and survival. Songs like the wry “Two Weeks Late” and the poignant “Used” acknowledge the hard knocks of romance with disarming candor. Monroe manages to sound genuine whether she’s playing the outlaw (“Monroe Suede”), recalling her troubled past (the title track), or watching love slip away (“She’s Driving Me Out of Your Mind"). “Weed Instead of Roses” and the Blake Shelton duet “You Ain’t Dolly (And You Ain’t Porter)” are saved from novelty-tune status by choice details and satiric edges. All told, Like a Rose is the work of a blossoming talent who may finally be getting her due.

EDITORS’ NOTES

Ashley Monroe has been a country star waiting to happen for some years now. Like a Rose—her first solo release since her stint with The Pistol Annies—deserves to be her breakthrough. Cowriting with such stellar tunesmiths as Guy Clark, Lori McKenna, and producer Vince Gill, Monroe delivers a batch of songs notable for sharp wit and honest emotion. There are echoes of Loretta Lynn’s honky-tonk feminism and Emmylou Harris' bittersweet grace. Monroe uses her winsome, pure-toned vocals for powerful statements about life, loss, and survival. Songs like the wry “Two Weeks Late” and the poignant “Used” acknowledge the hard knocks of romance with disarming candor. Monroe manages to sound genuine whether she’s playing the outlaw (“Monroe Suede”), recalling her troubled past (the title track), or watching love slip away (“She’s Driving Me Out of Your Mind"). “Weed Instead of Roses” and the Blake Shelton duet “You Ain’t Dolly (And You Ain’t Porter)” are saved from novelty-tune status by choice details and satiric edges. All told, Like a Rose is the work of a blossoming talent who may finally be getting her due.

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Customer Reviews

4.6 out of 5

555 Ratings

Ashley Monroe

Spring is Coming,

I love Ashley Monroe. One of the best country- female- singers to come along in years. Rates right up there with Patsy and Tammy. IMO. This girl has a great way of telling a story with music whether it is country or pop.

NOW THIS IS A TRIBUTE TO MR. WAGNER, MY FRIENDS!!!

Crazy for Country,

Way to go, Ashley!, you couldn't have picked a better partner for this. You, Blake, Tim, and Brad all have a heart of gold for honoring the greatest legends of our time throughout your music! Nashville Without You and This Is Country Music is incredible!. I know when you recorded this, Porter was dancing in spirit! God bless you all!!!

About Ashley Monroe

Country singer Ashley Monroe was already a seasoned show business veteran when she released her self-titled album in 2007 at the tender age of 19. Born in Knoxville, Tennessee, Monroe was raised in a family with a great love for country music -- she's kin to Carl Smith and members of the Carter Family on her father's side -- and she developed a passion for music at an early age, taking her first piano lessons when she was only seven. At age 11, Monroe won a talent contest in Pigeon Forge, Tennessee (home to Dolly Parton's Dollywood resort), singing Patsy Montana's Western classic "I Want to Be a Cowboy's Sweetheart"; she brought home a $100 prize, and was soon a regular performer at a theater in Pigeon Forge. However, Monroe's world was turned upside down when her father died in early 2000, and 13-year-old Ashley began writing songs to help her deal with the tragedy.

A few years later, Monroe began making trips to Nashville to perform her music in clubs along the fabled Lower Broadway district, and before long she pulled up stakes and moved to Music City. While Monroe's youth led to a certain degree of resistance at record labels and publishing houses in Nashville, her music impressed manager Clarence Spalding, who signed her as a client and began shopping her talents around town. While an initial major-label development deal went sour, in 2006 Monroe's music found an appreciative ear at Columbia Records, and she teamed up with producer Mark Wright (whose clients include Clint Black, Gretchen Wilson, and Los Lonely Boys) to record her first album. An advance single from the album, "Satisfied," didn't perform well on country radio, nor did a second single. Monroe's album -- also called Satisfied -- appeared briefly as a digital release to little attention and all plans for a physical release were scrapped.

All the problems with Satisfied led to Monroe and Columbia separating in 2007. Over the next few years, Monroe worked behind the scenes as both a songwriter and singer, having tunes appear on albums by Jason Aldean and Miranda Lambert while often singing sessions at Jack White's Third Man Records. Lambert turned out to be a pivotal connection for Monroe. The two became friends and, along with Angaleena Presley, formed Pistol Annies, whose 2011 eponymous debut became a significant hit. The success of Pistol Annies revived Monroe's solo career. She signed with Warner, teamed with producer Vince Gill, and released the album Like a Rose in March of 2013. The single "Weed Instead of Roses" brushed the country Top 40. Monroe also featured prominently on Pistol Annies' second album Annie Up, released in May 2013; she had a hand in writing ten of the 12 songs.

Monroe kept the hits coming when her duet with Blake Shelton on Shelton's "Lonely Tonight" hit number two the following year. Her third album, The Blade, arrived in July 2015, with Vince Gill returning to produce. The single "On to Something Good" fared well on country radio. ~ Mark Deming

  • ORIGIN
    Knoxville, TN
  • BORN
    Sep 10, 1986

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