8 Songs, 31 Minutes

EDITORS’ NOTES

Normally the two words “Live Acoustic” sound good together when you’re stepping out for an intimate performance, but in the recorded music realm a live recording of acoustic music can often sound horrible. Good news. Somebody got it right on Stoney LaRue’s Live Acoustic album. The healthy blend of what plays like an acoustic pickup mixed with a microphone set near the guitar’s sound-hole produces a very natural and organic resonance, especially on the opener “I’ve Got That Old Feeling,” where fiddle and dobro step in to approximate the warm vibes of a front-porch jam. “Box #10” plays with the subtle Texas twang of an old Willie Nelson cut — speaking of which, LaRue gives the Red Dirt treatment to Fred Rose’s “Blue Eyes Crying In the Rain,” sounding like he somehow teleported the warbly and weathered voice of the Red Headed Stranger himself. LaRue really settles into his own signature country-folk style on the moving “Love You for Loving Me,” while simultaneously spawning a thick branch on the same family tree where Nelson, Kristofferson and the Flatlanders reside.

EDITORS’ NOTES

Normally the two words “Live Acoustic” sound good together when you’re stepping out for an intimate performance, but in the recorded music realm a live recording of acoustic music can often sound horrible. Good news. Somebody got it right on Stoney LaRue’s Live Acoustic album. The healthy blend of what plays like an acoustic pickup mixed with a microphone set near the guitar’s sound-hole produces a very natural and organic resonance, especially on the opener “I’ve Got That Old Feeling,” where fiddle and dobro step in to approximate the warm vibes of a front-porch jam. “Box #10” plays with the subtle Texas twang of an old Willie Nelson cut — speaking of which, LaRue gives the Red Dirt treatment to Fred Rose’s “Blue Eyes Crying In the Rain,” sounding like he somehow teleported the warbly and weathered voice of the Red Headed Stranger himself. LaRue really settles into his own signature country-folk style on the moving “Love You for Loving Me,” while simultaneously spawning a thick branch on the same family tree where Nelson, Kristofferson and the Flatlanders reside.

TITLE TIME
4:06
3:01
4:50
4:11
3:05
4:48
4:35
2:41

About Stoney LaRue

Stoney LaRue plays music that combines the rootsy, emotionally honest sound of country with the beer-drinking swagger of heartland rock and a dash of the moody undercurrents of the blues. LaRue was born in Taft, Texas, into a musical family -- his father played bass in a number of local bands -- and he grew up listening to the country and Southern rock that would inform his later work. When he was a teenager, LaRue's family pulled up stakes for Oklahoma, and with time LaRue would become part of the Stillwater, Oklahoma "Red Dirt" musical community, along with likeminded acts such as Cross Canadian Ragweed, Jason Boland, and Mike McClure.

Forming a road band called the Organic Boogie Band, LaRue began storming honky tonks and dancehalls in Oklahoma and Texas, winning a loyal following for his passionate live shows, and in 2002 he released his first album, Downtown, recorded during a concert for a specially invited audience at Cain's Ballroom in Tulsa. The album was a solid calling card for LaRue and his group, and they began spending most of the year on the road, playing up to 300 dates a year, but in 2005, LaRue stayed in one place long enough to record his first studio disc, appropriately titled The Red Dirt Album, which earned enthusiastic reviews and cast a stronger focus on LaRue's skills as a songwriter. In the spring of 2007, LaRue released his third album, which was also his second live set -- Live at Billy Bob's Texas, recorded during a 2006 gig at the famous Fort Worth venue. After several years of a recording hiatus (except for a live EP), LaRue released his second studio album, Velvet, in 2011 on B Side Music Group. It became his first set to reach the Billboard album charts, peaking at number 53. An appearance singing background vocals on Miranda Lambert's 2013 single "All Kinds of Kinds" brought his work to a wide audience, and his third studio album, Aviator, appeared in 2014 on eOne, also reaching fairly high on the charts. ~ Mark Deming

HOMETOWN
Taft, TX
GENRE
Country
BORN
1977

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