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Live At Newport

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Album Review

Eddie Harris hit the 1970 Newport Jazz Festival head on with his satchel of electronic sax gear, funky soul/jazz track record, and a quartet with Jodie Christian now anchored on electric piano. Naturally there would be some funk on display ("Carry on Brother") and guest vocalist Eugene McDaniels, composer of "Compared to What," comes up with a lame, hectoring sequel, "Silent Majority." Yet a good deal of this truncated edition of Harris' Newport set is pitched at a more abstract level. "Don't You Know the Future's in Space," with its tumbling drums and outbreaks of near freeform reed trumpet (a Harris invention), is already in progress when we fade into the track, and "South Side" is a rough-and-tumble jazz sprint, with Harris delivering a complex cerebral solo. These advanced tracks didn't win him any points with the critics of the time but hindsight reveals that harmonically as well as electronically, Harris was ahead of most of the pack. As a bonus, the LP includes a short post-set speech in which Harris prophesizes that his reed trumpet will be a godsend for brass players (who, alas, completely ignored it). ~ Richard S. Ginell, Rovi

Biography

Born: October 20, 1934 in Chicago, IL

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s

Long underrated in the pantheon of jazz greats, Eddie Harris was an eclectic and imaginative saxophonist whose career was marked by a hearty appetite for experimentation. For quite some time, he was far more popular with audiences than with critics, many of whom denigrated him for his more commercially successful ventures. Harris' tastes ranged across the spectrum of black music, not all of which was deemed acceptable by jazz purists. He had the chops to handle technically demanding bop, and the...
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Live At Newport, Eddie Harris
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  • $6.99
  • Genres: Jazz, Music, Hard Bop
  • Released: Jun 15, 1970

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