14 Songs

EDITORS’ NOTES

The Gun Club’s performance at Manchester’s storied Hacienda club found the volatile Los Angeles unit on a precipice. A few days later, powerhouse drummer Terry Graham would quit the group, and by December 1984 the band would implode altogether. Even as The Gun Club was onstage at the Hacienda that night—Oct. 26, 1984—its van was being broken into, and at the end of the show the members would find all their personal belongings gone, as well as Graham’s Super-8 footage of the tour. There's no way to infer that specific misfortune from hearing Live at the Hacienda—but there's no question that this performance is imbued with an underlying feeling of urgency, as if the band knows it's veering toward a cliff and its only chance at survival is to somehow propel itself off the ground by sheer force of will. The group’s ferocity cuts through the muddy sound quality, and the rhythm section in particular gives ineffable thrust to “Fire of Love,” “Bad Indian," and “Goodbye Johnny.” Jeffrey Lee Pierce punctuates the attacks with devilish shrieks.

EDITORS’ NOTES

The Gun Club’s performance at Manchester’s storied Hacienda club found the volatile Los Angeles unit on a precipice. A few days later, powerhouse drummer Terry Graham would quit the group, and by December 1984 the band would implode altogether. Even as The Gun Club was onstage at the Hacienda that night—Oct. 26, 1984—its van was being broken into, and at the end of the show the members would find all their personal belongings gone, as well as Graham’s Super-8 footage of the tour. There's no way to infer that specific misfortune from hearing Live at the Hacienda—but there's no question that this performance is imbued with an underlying feeling of urgency, as if the band knows it's veering toward a cliff and its only chance at survival is to somehow propel itself off the ground by sheer force of will. The group’s ferocity cuts through the muddy sound quality, and the rhythm section in particular gives ineffable thrust to “Fire of Love,” “Bad Indian," and “Goodbye Johnny.” Jeffrey Lee Pierce punctuates the attacks with devilish shrieks.

TITLE TIME
3:28
3:11
5:16
2:57
2:56
3:04
4:42
9:11
2:13
2:39
3:27
6:36
6:45
3:31

About The Gun Club

Tribal psychobilly blues is the best way to describe the Gun Club's energetic death rock, but the band's career seemed doomed from the get-go due to leader Jeffrey Lee Pierce's reputation as an unreliable wildman, and well-publicized bouts of drunkenness dogged him throughout his career. Formed in Los Angeles in the early '80s, the band was vaguely aligned with similarly roots-inspired groups like X and the Blasters, but later picked up and relocated to the Lower East Side, resting more comfortably around the New York downtown set and Pierce's mentors, Debbie Harry and Chris Stein. Their 1981 debut, Fire of Love, was a punk-blues hybrid -- intense energy fueled Pierce's exorcism-in-progress delivery and the band's (Ward Dotson, guitar; Rob Ritter, bass; and Terry Graham, drums) frenetic style. Released in 1982, Miami had the band allied with Blondie's Stein at the boards. Pierce had once been the president of Blondie's U.S. fan club, which sparked the liaison. The 1985 EP Death Party is a swingin' piece of punkabilly with Dee Pop on drums and Jim Duckworth of Panther Burns on guitar. For Las Vegas Story in 1984, the Club won over guitarist Kid Congo Powers from the Cramps and Patricia Morrison (the Bags) on bass, and it looked as if that was that when -- save for some live recordings and posthumous releases -- Pierce launched his solo career in 1985 with the EP Flamingo and the Wildweed album for the Statick label. But it wasn't quite over; in 1987 Pierce came back with a realigned Club and the album Mother Juno (Fundamental), which earned them a wider following than ever. In 1996, after drying out, but suffering from persistent health problems, Pierce passed away from a brain hemorrhage. Morrison went on to play with the Sisters of Mercy, Powers in his own lounge group, and Dotson formed the Pontiac Brothers. An album featuring the Gun Club in concert, Larger Than Live!, appeared from Last Call Records in 2008. ~ Denise Sullivan

  • ORIGIN
    Los Angeles, CA
  • GENRE
    Rock
  • FORMED
    1980

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