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Live At the Troubadour 1969

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Reseña de álbum

A previously unreleased, recently unearthed recording that catches Tim Buckley at the time he began to incorporate jazz-influenced vocal improvisation and dense, impressionistic lyrics into his recordings. Backed by a small combo, Live at the Troubadour 1969 features loose numbers with bloodcurdling vocal scatting and instrumental jamming. The nine tracks on this 78-minute disc are mostly drawn from his Lorca and Blue Afternoon albums, and include two previously unavailable songs.

Reseñas de usuarios

The Original

OK, I love Jeff Buckley. Who doesn't love Grace? Great album, with some all-time classics. But his father was Tim Buckley and man can he sing. Kind of like Elvis meshed with Jeff Buckley. They both died young which is even strange, Tim at 28 and Jeff in 2000. Jeff set the scene in the early 90's as the tortured soul of an artist and it worked; according to Moby who lost his girlfriend to Jeff in NY it really worked. Yes, Moby, the Moby knew Jeff. Anyway, gotta go, but Tim and exploring Tim Buckley will only get you to a place you've never been. Take the trip.

Intense, soulful jams

This free-spirited session is a huge window on a brilliant, inventive trio that drew on creative influences from psychedelia to jazz. In at least one tune, Tim alludes to smack, the deadly indulgence that ultimately led to his early demise. I found it fascinating to listen to this release alongside his son's release Live at Sin-e.

How are there not more reviews for this?

Brilliant! The live versions are much more interesting than the recorded works, but both are great. Incredibly, Tim isn't that well known. I see him as very similar to Van Morrison only with a bit more of a jazzy feel. This is my favorite. Put it on and let it run. His voice is amazing! Enjoy!


Nacido(a): 14 de febrero de 1947 en Washington D.C.

Género: Rock

Años de actividad: '60s, '70s

One of the great rock vocalists of the 1960s, Tim Buckley drew from folk, psychedelic rock, and progressive jazz to create a considerable body of adventurous work in his brief lifetime. His multi-octave range was capable of not just astonishing power, but great emotional expressiveness, swooping from sorrowful tenderness to anguished wailing. His restless quest for new territory worked against him commercially: By the time his fans had hooked into his latest album, he was onto something else entirely,...
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