Nothing's Gonna Change the Way You Feel About Me Now by Justin Townes Earle on Apple Music

11 Songs

EDITORS’ NOTES

Justin Townes Earle’s got the blues. A serious undercurrent of unhappy thoughts courses through Nothing’s Gonna Change, the fourth full-length from the talented Nashville musician. In the place of gospel or rockabilly seasoning, Earle goes to the sound of Memphis soul, with horns, unhurried arrangements, and a voice that often sounds like he’s just taken a gut hit. There are signs that perhaps his struggle to stay outside the hard-partying life has taken a backseat. Lyrics like “I tell her I’ve been getting sick again/we both pretend we don’t know why” suggest he’s not too happy with his current state. On the chillingly beautiful “Unfortunately, Anna,” his frustration and despair is palpable: “I’m feeling low and downright mean,” he breathlessly snarls as a steel guitar exhales in the background. The music ranges from the kind of quiet introspection fans of Nick Lowe will appreciate (“Am I That Lonely Tonight?,” “Won’t Be the Last Time”) to a pop-country blend that recalls Lyle Lovett (“Maria,” “Memphis in the Rain”) and a scattering of horn-inflected barroom shuffles (“Baby’s Got a Bad Idea,” “Look the Other Way”).

EDITORS’ NOTES

Justin Townes Earle’s got the blues. A serious undercurrent of unhappy thoughts courses through Nothing’s Gonna Change, the fourth full-length from the talented Nashville musician. In the place of gospel or rockabilly seasoning, Earle goes to the sound of Memphis soul, with horns, unhurried arrangements, and a voice that often sounds like he’s just taken a gut hit. There are signs that perhaps his struggle to stay outside the hard-partying life has taken a backseat. Lyrics like “I tell her I’ve been getting sick again/we both pretend we don’t know why” suggest he’s not too happy with his current state. On the chillingly beautiful “Unfortunately, Anna,” his frustration and despair is palpable: “I’m feeling low and downright mean,” he breathlessly snarls as a steel guitar exhales in the background. The music ranges from the kind of quiet introspection fans of Nick Lowe will appreciate (“Am I That Lonely Tonight?,” “Won’t Be the Last Time”) to a pop-country blend that recalls Lyle Lovett (“Maria,” “Memphis in the Rain”) and a scattering of horn-inflected barroom shuffles (“Baby’s Got a Bad Idea,” “Look the Other Way”).

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About Justin Townes Earle

In some respects, Justin Townes Earle seemed destined from birth to be a musician -- his father, Steve Earle, is one of America's most acclaimed singer/songwriters, and he was named in part for Townes Van Zandt, a close friend to Earle and an equally legendary tunesmith. But Justin also grew up learning the downside of the musician's life, and came up against some of the same demons that haunted his father. Born in 1982, Justin Townes Earle didn't see much of his dad through most of his childhood; after the release of his first album in 1986, Steve was often on the road, and a serious drug habit sidelined him through much of the early '90s. Despite it all, Justin developed an appetite for music, and in his teens began playing and singing with two different Nashville groups, a rock band called the Distributors and a bluegrass-influenced acoustic combo, the Swindlers.

Justin also spent some time as a member of his father's touring band the Dukes, and sang one of his own songs, "The Time You Waste," on Steve's 2003 live album Just an American Boy. But Justin was fired from the Dukes after a dangerous appetite for drugs began interfering with his performances, and Justin told a Los Angeles Times reporter that he suffered his fifth major drug overdose, one that put him in the hospital for several days, when he was only 21. But that misadventure put Justin on the road to recovery, and once clean and sober he began putting a new focus on his music and songwriting. In 2007, Justin unveiled a critically acclaimed EP, Yuma, on his own J-Trane Music label, and later that year he signed with the respected "insurgent country" label Bloodshot, which released his debut album, The Good Life, on March 25, 2008. He followed it with Midnight at the Movies in 2009 and Harlem River Blues in 2010.

While touring in support of Harlem River Blues, Earle was involved in an altercation with a club owner after a show in Indianapolis, Indiana, which led to a brief stay in jail and a return to rehab for alcohol issues. Since then, Earle has reportedly been clean and sober, and continued to record and tour steadily. In 2012, Earle released the album Nothing's Gonna Change the Way You Feel About Me Now, and dipped his toes into production, working behind the board on Unfinished Business, an album by pioneering rockabilly singer Wanda Jackson. After Earle's contract with Bloodshot had run its course, he signed a deal with Communion Records, a U.K. label owned in part by Ben Lovett of Mumford & Sons, but the deal soon turned into a war of words between Earle and the label's A&R staff, with Earle frequently posting angry messages on Twitter about his dealings with the company. In 2014, Earle finally re-emerged with a new album, Single Mothers, which was released by the American independent label Vagrant Records. Single Mothers was recorded in tandem with a companion album, Absent Fathers, but rather than release them together, Earle decided the two sets of songs would be more powerful as separate works, and Absent Fathers arrived in January 2015. In 2017, Earle released the album Kids in the Street, his first for the respected independent label New West Records. He supported the release with a concert tour in tandem with the celebrated Canadian group the Sadies, who served as his opening act as well as his backing band. ~ Mark Deming

  • ORIGIN
    Nashville, TN
  • BORN
    Jan 4, 1982

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