12 Songs, 1 Hour, 11 Minutes

EDITORS’ NOTES

Veteran Danish DJ Anders Trentemoller has long made sounds for a variety of audiences. Over the years he's shifted from targeting fellow club-dwellers to home theatre aficionados who enjoy the grandeur of solid movie soundtrack orchestration. All the while, he's remained aware of the fans who might feel he’s moving too fast. Lost is Trentemoller's most accessible work to date; it's the most song-oriented and easiest to follow. The contributions of guests such as Minneapolis’ long-running trio Low, Raveonettes singer/guitarist Sune Rose Wagner, Blonde Redhead’s Kazu Makino, singer/songwriter and Lower Dens member Jana Hunter, and Danish singer Marie Fisker all give Trentemoller a constantly changing set of talents to work with. Songs like the art-pop David Lynchian “Gravity” (with Hunter) and the ghostly but sweet “Candy Tongue” (with Fisker) should bring Trentemoller’s talents to the attention of music fans for whom the song is most important. Other tracks—like the dark, cranky, and apocalyptic “Still on Fire” and the spooky underworld instrumental tale “Morphine”—fulfill Trentmoller’s need to work unrestrained with the moldable clay of loops, samples, and incidental music.

EDITORS’ NOTES

Veteran Danish DJ Anders Trentemoller has long made sounds for a variety of audiences. Over the years he's shifted from targeting fellow club-dwellers to home theatre aficionados who enjoy the grandeur of solid movie soundtrack orchestration. All the while, he's remained aware of the fans who might feel he’s moving too fast. Lost is Trentemoller's most accessible work to date; it's the most song-oriented and easiest to follow. The contributions of guests such as Minneapolis’ long-running trio Low, Raveonettes singer/guitarist Sune Rose Wagner, Blonde Redhead’s Kazu Makino, singer/songwriter and Lower Dens member Jana Hunter, and Danish singer Marie Fisker all give Trentemoller a constantly changing set of talents to work with. Songs like the art-pop David Lynchian “Gravity” (with Hunter) and the ghostly but sweet “Candy Tongue” (with Fisker) should bring Trentemoller’s talents to the attention of music fans for whom the song is most important. Other tracks—like the dark, cranky, and apocalyptic “Still on Fire” and the spooky underworld instrumental tale “Morphine”—fulfill Trentmoller’s need to work unrestrained with the moldable clay of loops, samples, and incidental music.

TITLE TIME
6:52
5:49
5:27
4:36
7:12
3:38
4:54
6:12
4:33
4:44
4:01
13:30

About Trentemøller

Initially known for releasing deep house and minimal techno 12"s, Danish electronic musician Anders Trentemøller has continually expanded his sound with his ambitious full-lengths as well as his live shows, which often incorporate a full band. Based in Copenhagen, he made his debut in 1997, DJ'ing the local club circuit and occasionally performing live. After a self-imposed hiatus spanning several years, he returned with his own productions, which quickly grabbed the ear of the then red-hot Naked Music house music label. His debut EP (released in 2003) was well received and won praise from DJs in all electronic music genres. This led to a series of 12" singles on such labels as Audiomatique and Tic Tac Toe before Trentemøller found a home on Germany's esteemed Poker Flat, where he released a series of critically acclaimed singles.

His ambitious, moody double-disc album The Last Resort was released in 2006 on Poker Flat. The album featured an increased usage of non-electronic instruments, as well as many downtempo and ambient tracks, and it received much critical acclaim. In 2007, Audiomatique released The Trentemøller Chronicles, a double CD retrospective of his non-album work up to that point, including tracks from singles and EPs as well as remixes for Robyn, Moby, and the Knife. Also in 2007, Trentemøller assembled his first live band and performed in the United States for the first time, as well as several European festivals. In 2009, HFN released Trentemøller's Harbour Boat Trips 01: Copenhagen, a mix that primarily contained indie rock and folk rather than electronic music.

Into the Great Wide Yonder, issued on Trentemøller's In My Room label, followed in 2010 and was even more removed from the dancefloor than his first full-length. He continued his successful touring schedule, with his live band featuring up to seven members. Reworked/Remixed, a double CD collecting further remixes released since The Trentemøller Chronicles, arrived in 2011, as did Trentemøller's installment of the LateNightTales compilation series. These releases were followed by 2013's Lost, a song-oriented indie rock-influenced effort that featured guest appearances from Jana Hunter, Marie Fisker, and slowcore group Low. A remixed version of the album, Lost Reworks, appeared in 2014. Fixion, Trentemøller's fourth studio album, followed in 2016 and continued in a similar vein, with its heavily post-punk-influenced lead single "River in Me" featuring vocals from Savages' Jehnny Beth. ~ Rob Theakston

  • ORIGIN
    Vordingborg, Denmark
  • BORN
    October 16, 1974

Songs

Albums

Top Videos

Listeners Also Played