Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Loud City Song by Julia Holter, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Loud City Song

Open iTunes to preview, buy, and download music.

iTunes Review

Don't get the wrong idea—just because Julia Holter has expanded her sound and her scope for her third album, Loud City Song, it doesn't mean she's leaped ill-advisedly into entirely foreign waters. It's not like the electronic art-pop auteur has gone country or something—just that after earning attention with the previous year's Ekstasis and finding herself on a larger label with more ears angled her way, she decided to open things out a bit. Holter's hypnotic, blown-glass vocal tones and gracefully angular, electro-minimalist approach to making music are still the defining factors here, but this album feels richer and more varied than its predecessor. Touches like the jazzy acoustic bass of "In the Green Wild," the staccato horn section punctuating the appropriately titled "Horns Surrounding Me," and the late-night piano languor of "He's Running Through My Eyes" all enhance Holter's approach. When she lays into an ambient-pop version of Barbara Lewis's '60s soul hit "Hello Stranger," it seems like there's nothing she can't do if she sets her mind to it.

Customer Reviews

Metropolitan texture jam

For many of us, the entry point to Julia Holter's work was Exstasis. Because her work is so difficult to compare to most of what else is out there, it is tempting to first compare to Exstasis. So I will…

Exstasis is full of quirky twists and beguiling complexity. It rarely allows the listener a moment to rest in a particular sonic space - which is good and lends itself to multiple listens without the utter boredom typical of most indie music... In contrast, with Loud City Song, the moods are lengthy and compositional complexity less in the linear/structure domain than in the evolving texture of sounds. And what sounds they are. With Exstasis you could almost feel the home craft vibe but here the production is up several notches and feels robust and professional. Lots of actual instruments here rather than samples and sequencers. Lyrically, the world bubbling below Loud City Song is more accessible, full of the sounds, observations, and reveries of urban life that seem romantic and timeless.

After three months with Exstasis I thought, Julia Holter will record a great record someday. At six months I thought, wait - she already HAS. With Loud City Song, I think it's fair to say she has recorded two great records.


Really enjoying the emotional intimancy of this album. It is beautiful. Love the way she pronounces certain words and sounds. Very interesting.

One of best albums in 2013



Born: December 18, 1984 in Los Angeles, CA

Genre: Alternative

Years Active: '00s, '10s

Los Angeles-based composer/multi-instrumentalist Julia Holter blurs the boundaries between indie music, modern composition, and electronic music in her own work as well as her collaborations, which include work with Nite Jewel's Ramona Gonzalez and underground folk icon Linda Perhacs. Holter grew up in a musically inclined family -- her father is a guitarist who once played with Pete Seeger -- and studied electronic music at CalArts. After graduation, she began releasing music at a prolific rate:...
Full Bio