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Love Yes

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iTunes Review

TEEN have played with several styles over the years, from rubbery, Erykah Badu-style R&B (The Way and Color) to punky psychedelia (In Limbo). Love Yes finds the Brooklyn quartet settling on shimmering, atmospheric New Wave that’s part-Prince, part-Bangles—artists whose nervy energy always had a sexual edge. Opening with a loping, dreamy story of an unfaithful husband reckoning with middle age (“Tokyo”), the album explores variations on a theme of desire, from the primal thump of “Animal” to the alien power ballad “Another Man’s Woman,” two highlights that prove the band hasn’t been messing around so much as slowly refining their sound.

Customer Reviews

Animal 🙄

This song alone ruins the entire album, this is the most annoying, awful song I've heard in my entire life. The only reason I've heard it in the first place is because it plays at my place of work constantly and is almost suicide inducing. The main focal point of the song is a heavily detuned crappy synth that makes ones ears bleed. Do the world a favor and remove this song from existence.


Formed: 2010

Genre: Alternative

Years Active: '00s, '10s

Taking their moniker from a shortened version of frontwoman Teeny Lieberson's name, Brooklyn's TEEN incorporate everything from psychedelic rock to '90s R&B into their experimental pop. Started in 2010 by multi-instrumentalists Lieberson, a former Here We Go Magic member who made and released TEEN's lo-fi, home-recorded debut Little Doods in 2001, the band soon included her sisters Lizzie and Katherine, and their friend Jane Herships. The women began crafting a sound in keeping with some of the other...
Full Bio
Love Yes, TEEN
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Customer Ratings