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Loved Me Back to Life

Céline Dion

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Album Review

Loved Me Back to Life is Celine Dion's first English-language album in seven years, but even that long gap of time doesn't tell the whole story. The last time Dion placed in the Billboard Top 40 was in 2002, when "A New Day Has Come" reached 22, and the last time she saw the Top 10 was in 1999, when "That's the Way It Is" reached number six. That's a roundabout way of saying that Dion's days as a formidable hitmaker are long gone, but the interesting thing about Loved Me Back to Life is how the French-Canadian diva has seized this opportunity to try a little bit everything, ranging from duets with neo-R&B stalwart Ne-Yo to covers of Janis Ian's "At Seventeen." Some of this piecemeal feel is due to the album's convoluted creation, growing from a simple studio re-creation of her on-going Vegas revue Celine, but then expanding to something a little more modern and something with a subtle but palpable R&B undercurrent. This soulful streak surfaces on the duets — the aforementioned Ne-Yo collaboration "Incredible," plus Stevie Wonder sings his "Overjoyed" on a Tricky Stewart production — but also in the stuttering rhythms of "Somebody Loves Somebody," the slow-burning "Didn't Know Love," and the lively, new jack swing of "Save Your Soul" (strangely, the two Babyface productions — "At Seventeen" and "Always Be Your Girl" — are thoroughly colorless adult contemporary). Still, that suggests Loved Me Back to Life is a livelier, riskier album than it actually is; despite these deeper grooves and sparkling surfaces, there's no question this is a Celine Dion album, a record that flirts with new ideas but never hooks up. Yet, that flirtation counts for something: it means the album is livelier, less self-conscious, less beholden to the expected, and quick-footed enough to not seem mired in show biz glitz. That doesn't mean Loved Me Back to Life will reverse her Billboard chart trajectory — there's nothing here that screams big hit –- but it's something better: the work of a diva who is comfortable in her own skin.

Customer Reviews

We are not worthy.

The queen is back and she is snatching wigs.

The Wait is Over… Almost

Loved Me Back to Life, the song, is the best leading single Céline has released since I Drove All Night back in 2003. It's a much better song than Taking Chances (2007) -- which was still great, but unlike that song, this is a total original, not a cover. The song feels very current. There are hints of Rihanna's style in it, and Sia has done an amazing job writing it. Finally, a Celine song that is current, hip, and doesn't come across as Celine trying to be current and hip. It fits right into mainstream American radio, but it's still a Celine Dion song. No one else on the radio today has a voice like the one she puts on display and reminds us of her. If there is any justice in the world, this single will obliterate Katy Perry's Roar, Lady Gaga's Applause, and Miley Cyrus' entire Bangerz on the charts. Even if it doesn't, this is still one of the best songs of the past year.

"Loved me back to life"

So proud my brother produced this amazing single!


Born: March 30, 1968 in Charlemagne, Quebec, Canada

Genre: Pop

Years Active: '80s, '90s, '00s, '10s

Rising from humble beginnings to become an international pop star selling more than 100 million albums worldwide, Celine Dion's career spanned '90s superstardom and her more diverse output in the 2000s and 2010s. Born in Charlemagne, Quebec, Celine Dion was the youngest in Adhemar and Therese Dion's family of 14 children. She was raised in a household filled with love for children and music, and her parents and siblings were important figures in the early development of her singing career. Celine...
Full Bio

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