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Reseña de álbum

The release of Stoned, Pt. 1, the third album under his own name, proves beyond doubt what an astonishingly talented musician Lewis Taylor is. It also begs the question, so often asked but seldom more appropriately, of how such talent can go largely ignored. Taylor, after parting ways with Island, decided to take control of his music, together with co-producer/mixer/songwriter Sabrina Smyth. Stoned, Pt. 1, is an exceptional accomplishment, demonstrating Taylor's ability to compose, play all the main instruments brilliantly, arrange, and produce in such a way that it inevitably brings to mind comparisons with Stevie Wonder. Taylor is apparently comfortable with his low-key profile, but this album provides plenty of evidence for his private passions. The title track, which opens the album, overlays deep funk with truly sweet vocals, complemented by wah-wah guitar and electronics. The complexity he strives for could result in muddiness in the hands of lesser producers, but this has a beautiful depth and clarity. "Positively Beautiful" follows, and it's perhaps the standout, its richly layered harmonies propelled by a simple but driving beat. The angst that was never far away in his earlier work, reportedly occasioned by his breakup with the person he calls "the one," is not so obvious this time, except in terms of the pain that comes from pure lust and romance. After his deeply soulful voice, the electric guitar is his best instrument, so much so that it invites more obvious comparisons (the name Isley instantly comes to mind, and sometimes also Hendrix). Taylor is a natural musician with genuine soul, and the obvious potential criticism — that he's a purveyor of derivative ersatz black music — should be thoroughly dismissed. [Stoned, Pt. 1 was also released in an American version with bonus tracks.] ~Ian Slater, Rovi

Reseñas de usuarios

We miss you Lewis.

I will go as far to say that as a whole, Lewis Taylor writes songs and crafts albums as goods as Prince, Stevie, and other pop icons. Whatever the truth is behind his sabbatical/banishment/narrow escape from the "industry" we are lucky to have a body of work to enjoy.

The best go unheard sometimes

This dude is beyond compare. He writes like he's possessed. He can put 4 soul styles into one verse. Last I saw he's the MD for Knarles Barkley. I think they had a hit or two if I recall.

Lewis's Masterpiece

I'm a musician. The only people who I talk to about Lewis Taylor with any sort of recognition seem to be amazing musical minds themselves. It seems like a strange thing that he's been relegated o obscurity, when anyone who knows anything about a groove hold him in such high regard. If you've never heard him, you'll find a seamless blend of r&b, funk a little rock and the smoothest,tightest vocal harmonies you've ever heard. Do yourself a favor and get this one and the self titled "Lewis Taylor" and if you're still looking for more, "The Lost Album" is also mind-blowing.


Nacido(a): London, England

Género: R&B/Soul

Años de actividad: '90s

Neo-soul multi-instrumentalist Lewis Taylor began his professional career as guitarist for the re-formed Edgar Broughton Band before stalking the limelight on his own under the pseudonym Sheriff Jack, and later under his given name. Despite outspoken support from heavyweights such as Elton John, David Bowie, Jools Holland, Paul Weller, and others, as well as critical support, Taylor never found mass public scrutiny but has even remained below the radar of much of the underground listening public....
Biografía completa
Stoned, Lewis Taylor
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