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Mars Audiac Quintet

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Album Review

By the time of 1994's Mars Audiac Quintet, Stereolab had already highlighted the rock and experimental sides of its music; now the band concentrated on perfecting its space-age pop. Sweetly bouncy songs like "Ping Pong" and "L' Enfer des Formes" streamline the band's sound without sacrificing its essence; track for track, this may be the group's most accessible, tightly written album. The groove-driven "Outer Accelerator," "Wow and Flutter," and "Transona Five" (which sounds strangely like Canned Heat's "Goin' Up the Country") reaffirm Stereolab's Krautrock roots, but the band's sweet synth melodies and vocal arrangements give it a pop patina. Even extended pieces like "Anamorphose" and "Nihilist Assault Group" — which could have appeared on Transient Random Noise-Bursts With Announcements if they had a rawer production — are more sensual and voluptuous than edgy and challenging. It's equally apparent on layered, complex songs such as "New Orthophony" and "The Stars Our Destination," as well as spare, minimal tracks like "Des Etoiles Electroniques," that the members of Stereolab focused their experimental energies on production tricks, vocal interplay, and increasingly electronic-based arrangements. The charming final track "Fiery Yellow" takes the band's fondness for lounge pop and experimentation to the limit; a delicate, marimba-driven piece featuring the High Llamas' Sean O'Hagan, it sounds like the kind of music Esquivel or Martin Denny would be proud to make in the '90s. While it's not as overtly innovative as some of Stereolab's earlier albums, Mars Audiac Quintet is an enjoyable, accessible forerunner to the intricate, cerebral direction the group's music would take in the mid- and late '90s.

Customer Reviews

Are you Serious Nobody has reviewed this yet?

This was the apex album before the band went mostly predictable with Emperor Tomato Ketsup.
Very narrative and assembled to listen the whole way through. I'm really happy they still put out
releases but this one is the essential aside from Transient Pops. Ping Pong being their alltime best
most invigorating upward soaring song. Amazing live or at least it was, I know the band has had
some losses. Still this is the bridge album from old to new stuff.

Hands down BEST LP

Aside from the many memories this album holds for me, this was breaking point (as the last reviewer had mentioned) where the band crossed over leaving most of the guitars and fuzz behind. Truly one of the best albums of the 90's... And the videos!!! If only we could wow and flutter...

Biography

Formed: 1991 in London, England

Genre: Alternative

Years Active: '90s, '00s, '10s

Combining an inclination for melodic '60s pop with an art rock aesthetic borrowed from Krautrock bands like Faust and Neu!, Stereolab were one of the most influential alternative bands of the '90s. Led by Tim Gane and Laetitia Sadier, Stereolab either legitimized forms of music that were on the fringe of rock, or brought attention to strands of pop music — bossa nova, lounge-pop, movie soundtracks — that were traditionally banished from the rock lineage. The group's trademark sound —...
Full Bio
Mars Audiac Quintet, Stereolab
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