Masts of Manhatta by Tracy Bonham on Apple Music

11 Songs

EDITORS’ NOTES

As Tracy Bonham grows older and her musical experiences deepen, she has subtly softened her existential woes from outright histrionic pleas to modest acts of gentle perversion. She keeps finding new ways to explore her caustic side. "We Moved Our City to the Country" sways with a country lope but wonders aloud if it's really right for people to seek to recreate their old habitats in their new environs. "Big Red Heart" works off a repetitive guitar line, a metronomic wood block and vocals that continue to layer themselves in support. "In the Moonlight" is a husky acoustic ballad where the words keep rushing forth. "You're My Is-Ness" brings back the discordant, haunting harmonies of the ‘90s with thick bass notes stalking the melody line. "Angel, Won't You Come Down" invites everyone to sit beside the fire. "I Love You Today" is the most direct love song Bonham's ever sung. Yet, you can't help feeling like things could change. She sings with a voice that doesn't invite easy solutions. No matter how laid-back, she still has conflict deep in her soul.

EDITORS’ NOTES

As Tracy Bonham grows older and her musical experiences deepen, she has subtly softened her existential woes from outright histrionic pleas to modest acts of gentle perversion. She keeps finding new ways to explore her caustic side. "We Moved Our City to the Country" sways with a country lope but wonders aloud if it's really right for people to seek to recreate their old habitats in their new environs. "Big Red Heart" works off a repetitive guitar line, a metronomic wood block and vocals that continue to layer themselves in support. "In the Moonlight" is a husky acoustic ballad where the words keep rushing forth. "You're My Is-Ness" brings back the discordant, haunting harmonies of the ‘90s with thick bass notes stalking the melody line. "Angel, Won't You Come Down" invites everyone to sit beside the fire. "I Love You Today" is the most direct love song Bonham's ever sung. Yet, you can't help feeling like things could change. She sings with a voice that doesn't invite easy solutions. No matter how laid-back, she still has conflict deep in her soul.

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About Tracy Bonham

Like Alanis Morissette and Liz Phair, Tracy Bonham made her name during the alternative boom of the mid-‘90s. Unlike those two songwriters, she did so by merging post-grunge with elements of classical music, drawing upon her violin skills in the process. The combination helped push her 1996 debut, The Burdens of Being Upright, to gold sales, and Bonham closed out the year with two Grammy nominations. Although her later albums didn’t fare quite so well, Bonham continued expanding her sound into a hybrid of folk, rock, and ornate pop, replacing the record sales of years past with critical approval.

Bonham began playing the violin at age nine, while growing up alongside her eight siblings in Eugene, OR. Although she received a scholarship to study classical violin at the University of Southern California, she dropped out after several semesters and moved east to attend the Berklee College of Music, where she took classes in jazz and vocal music. Her tastes shifted to rock music during the early ‘90s. While recording jingles in order to pay her rent, Bonham began playing shows in the Boston area to showcase her emerging style, which combined her classical training with a growing appreciation for bands like the Pixies and PJ Harvey.

Bonham’s first EP, The Liverpool Sessions, was released in 1995 by the Boston-based label CherryDisc. “The One” and “Dandelion” both enjoyed local airplay, and Bonham took home three prizes from the Boston Music Awards later that year, including Best New Artist and Best Female Vocalist. After signing with Island Records, she courted a much larger audience in 1996 with the release of her full-length debut, The Burdens of Being Upright. An autobiographical album that emphasized her rock influences, it spawned a chart-topping single with “Mother Mother” and eventually sold more than 500,000 copies. Bonham also received several Grammy nominations. Despite her sudden success, Bonham didn’t release the sophomore album Down Here until early 2000, a year dominated by teenage pop stars, rap acts, and R&B artists. The album sold poorly despite receiving several warm reviews, and Island Records -- which, due to a recent acquisition by UMG, was in the middle of its own set of problems -- dropped her from the roster in December 2001.

Now a free agent, Bonham issued The Bee EP on her own dime while touring alongside the Blue Man Group, who had recruited her to sing on their 2003 album The Complex. She also moved to L.A., where she used the money generated by The Bee EP’s sales to begin work on another full-length album. The result was Blink the Brightest, released in 2005 by the Rounder imprint Zoë Records. Another self-financed recording, In the City + In the Woods, quickly followed, and Bonham decamped to Woodstock, NY, to work on a self-produced fourth album in 2007. Recording sessions wrapped up in late 2009, and Masts of Manhatta appeared the following summer. Wax & Gold was released in 2015. ~ Andrew Leahey

  • ORIGIN
    Boston, MA
  • BORN
    Mar 16, 1969

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