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The In Crowd

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Album Review

Kidz in the Hall's primary gift is malleability: Double O can sound like anybody, and Naledge can flow over anything. On tracks like "Drivin' Down the Block" and "Mr. Alladatshit," where they set their sights on Banger and Lupe Fiasco, respectively, the results are thrilling if uninventive. Elsewhere, the results are merely uninventive, as on "Snob Hop," which apes Camp Lo so bad the Kidz decided to just have Camp Lo actually rap on the track, or the hand-wringing "Inner Me," which contains such treacly musings as "Does heaven have a currency?" The record can be a bit diffuse, flowing more like another artist's greatest hits than a self-contained statement, but to their credit, they do mostly sound like hits. Kidz in the Hall straddle the indie/bling divide interestingly — and, most importantly, entertainingly.

Customer Reviews


Good. Loved the beats. Worth picking up. Old school feel with new world vibe.


Formed: Los Angeles, CA

Genre: Hip-Hop/Rap

Years Active: '00s

In the mid-2000s, alternative hip-hop duo Kidz in the Hall became the new face for the revamped Rawkus Records, the underground rap powerhouse responsible for introducing groundbreaking acts like Mos Def and Talib Kweli before its operations were temporarily closed in 2004. Naledge's intelligence, imagery, and lyricism combined with the progressive and often jazz-inflected sounds of DJ/producer Double O easily recall the early-'90s aesthetic of hip-hop groups such as Pete Rock & C.L. Smooth, Gang...
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The In Crowd, Kidz In the Hall
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Customer Ratings