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The Corner of Miles and Gil

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Album Review

Three years after the enervated Here's Tom with the Weather, Shack return with only their fifth album in an 18-year career. (And that doesn't even count leader Mick Head's former band, the Pale Fountains.) The title may name-check Gil Evans and Miles Davis, whose collaborations were the pinnacle of 1950s cool jazz, but On the Corner of Miles and Gil is no more jazz-influenced than any of Head's previous albums. This is to say, the occasional stray muted trumpet figure or Wes Montgomery-style guitar line floats through these songs, but overall, the late Arthur Lee is a much bigger influence. Love's trademark commingling of ominous, slightly paranoid lyrics and deceptively pretty melodies has always been Head's primary starting point, but this album is Shack's most vital and musically impassioned album in at least a decade. Check out the epic guitar-noise freakout that ends "Black and White" or the acid rock guitars plus syncopated horns of "Funny Things" for immediate proof, or the Forever Changes-style waves of orchestration and backing vocals that build and recede throughout the multi-part centerpiece track, "Miles Away." Elsewhere, the hushed near-whispered vocals, arpeggiated guitar lines, and pinging synth noises of "Finn, Sophie, Bobby & Lance" combine to create an atmosphere of unsettling menace. After a number of years in which Head's well-reported personal problems and dependencies overshadowed his increasingly infrequent albums, On the Corner of Miles and Gil is an unexpectedly vibrant return to peak form.

Customer Reviews

Soundtrack to the summer of 2006

Shack have a very low profile in the States and are the nearly men of British pop in terms of chart success. To their credit, they don't care and continue making wonderful music reguardless. If you like Love, The Byrds, the first Stone Roses albums, The La's, the best bits Oasis have to offer, acoustic guitars, vocal harmonies, and you're looking for something you've not heard before take a chance on this little gem. The Corner Of Miles And Gil is worth $10s of anybody's money but if you're not sure try a 99 cents Cup Of Tea - track 3 - or track 12, Closer, the most beautiful tune you'll hear all year. Miles And Gil is a grower, you hear something new everytime you hear it. These are not young pretenders getting by on energy and ambition, this is music made for no other reason than Mick and John and Iain and Pete for that matter, love these tunes. You will too.


They'll probobly love them when they are gone, In the meantime Shack are putting out albums like this that borrow slighty from some really good stuff from back a few and still point towards how you can make pop while being your soulfull self.


Formed: 1988 in Liverpool, Lancashire, England

Genre: Rock

Years Active: '80s, '90s, '00s

Shack formed out of the ashes of the Pale Fountains, cult favorites led by Liverpudlian brothers Michael and John Head. Chris McCaffrey, the Fountains' bassist and Michael's best friend, died from a brain tumor in 1986 and Michael began experimenting with drugs, including heroin, which was especially prevalent in his neighborhood. Despite his drug problems, Michael formed a new group with John, the L-Shaped Room. The brothers later changed the band's name to Shack and released the debut album Zilch...
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The Corner of Miles and Gil, Shack
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Customer Ratings