Milo Goes to College by Descendents on Apple Music

15 Songs

EDITORS’ NOTES

At precisely the time that Southern California hardcore was threatening to implode due to its increasingly codified negativity and machismo, Descendents released their full-length debut, Milo Goes to College. The Manhattan Beach band did for hardcore what The Buzzcocks had done for British punk five years earlier: they made the form faster, funnier, and more melodic. The album addressed time-honored themes of hormonal frustration, parental conflict, and the emptiness of suburban culture—but with freshness and authenticity, renewing the freedom and fun of punk rock. With the youthful vocals of singer Milo Aukerman (a biochemistry student at the time) and a musical attack as sugary as it was aggressive, Descendents were the first hardcore group that made it safe to be a nerd. More crucially, the members embraced their identities at a time when not being a “true punk” could get you whipped within the SoCal hardcore community. In that way, Milo Goes to College serves as a crucial reaffirmation of punk’s essential virtue: against everyone else’s expectations, always be true to thyself.

EDITORS’ NOTES

At precisely the time that Southern California hardcore was threatening to implode due to its increasingly codified negativity and machismo, Descendents released their full-length debut, Milo Goes to College. The Manhattan Beach band did for hardcore what The Buzzcocks had done for British punk five years earlier: they made the form faster, funnier, and more melodic. The album addressed time-honored themes of hormonal frustration, parental conflict, and the emptiness of suburban culture—but with freshness and authenticity, renewing the freedom and fun of punk rock. With the youthful vocals of singer Milo Aukerman (a biochemistry student at the time) and a musical attack as sugary as it was aggressive, Descendents were the first hardcore group that made it safe to be a nerd. More crucially, the members embraced their identities at a time when not being a “true punk” could get you whipped within the SoCal hardcore community. In that way, Milo Goes to College serves as a crucial reaffirmation of punk’s essential virtue: against everyone else’s expectations, always be true to thyself.

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About Descendents

Fueled by "rejection, food, coffee, girls, fishing and food," the Descendents sprang up during the halcyon days of the Los Angeles punk scene; fusing the blind rage of hardcore with an unexpectedly wry, self-deprecating wit and a strong melodic sensibility that set them distinctly apart from their West Coast brethren, they gradually emerged as one of the most enduring and adored bands of their time. Formed in 1979, the Descendents' first lineup consisted of vocalist/guitarist Frank Navetta, vocalist/bassist Tony Lombardo, and drummer Bill Stevenson; initially sporting an edgy power pop sound inspired by the Buzzcocks, the group issued a debut single, "Ride the Wild," and then promptly vanished from sight.

When the Descendents resurfaced in 1981, they were a four-piece fronted by vocalist Milo Auckerman, a beloved figure within the hardcore community who infused the group's identity with both unmitigated teen angst and a healthy dose of goofball humor. Amid a relentless, caffeine-powered touring schedule, the Descendents found time to record the 1981 EP Fat, a collection spotlighting both Auckerman's affection for fast food ("Weinerschnitzel," "I Like Food") and distaste for parental guidance ("My Dad Sucks"). A year later, the group issued its debut LP, Milo Goes to College; despite the considerable levity of tracks like "Bikeage" and "Suburban Home," the title was no joke -- Auckerman was indeed headed off to study biochemistry, and when Stevenson joined the ranks of Black Flag, the Descendents went on sabbatical.

In 1985, the group re-formed, with SWA alum Ray Cooper replacing Navetta on guitar; after the release of the more pop-flavored album I Don't Want to Grow Up, ex-Anti bassist Doug Carrion assumed Lombardo's duties. A sunnier perspective informed 1986's Enjoy!, as evidenced by the inclusion of a cover of the Beach Boys' "Wendy," but after 1987's All, the group split again; after Stevenson formed a new group, also dubbed All, the only Descendents products to appear for a number of years were a pair of live releases, 1987's Liveage! and 1989's Hallraker. Somewhat surprisingly, Auckerman and Stevenson re-formed the Descendents in 1996 with All bassist Karl Alvarez and guitarist Stephen Egerton; in addition to mounting a tour, the group recorded a new album, Everything Sucks. Following the tour, Auckerman once again returned to his life in the chem lab until 2004 when the guys were back with two new releases, both issued on Fat Wreck -- February brought the EP 'Merican, and the full-length Cool to Be You followed a month later.

For the following decade, they would remain relatively quiet, save for a few significant events. In 2008, founding guitarist Frank Navetta unexpectedly passed away. The band also reunited for a few gigs in 2010, but it wasn't permanent. The Descendents returned in 2016 with Hypercaffium Spazzinate, their first new studio material in 12 years. ~ Jason Ankeny

  • ORIGIN
    Los Angeles, CA
  • FORMED
    1979

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