13 Songs, 59 Minutes


Ratings and Reviews

3.7 out of 5
10 Ratings
10 Ratings

I love NoW, but this one just doesn't do it for me


I was surprised and disappointed by this album, especially coming off the brilliant Carboot Soul. I'm a huge fan of A Word of Science, Smokers Delight, Carboot Soul (and even In a Space Outta Sound is a very good record) but I have to say this is the weakest link in the chain of NoW albums.

Don't get me wrong, I love some of these songs, especially some of the vocal tracks. "Date With Destiny," "70s 80s," and "Know My Name" are all fantastic. A lot of times, though, the almost schizophrenic skipping between these vocal numbers and songs that follow NoW's older formula makes for an unbalanced record, and to add to that, several of the tunes styled in NoW's older, more traditional mold don't come anywhere near the greatness exhibited on previous albums.

That said, there are still some tunes that are worth it on here - preview and pick the ones you like best. Just don't expect another masterpiece.

I heart this Album


This album was my first introduction to this band so many moons ago. Gotta say most of this album is awesome! Smooth sounds with a dope going to the beach type vibe. I still occasionally listen to some tracks of to this day. A classic album that should not be over looked.

Love NoW


NoW I kNoW Love

About Nightmares On Wax

Originally the combined project of George Evelyn and Kevin "Boywonder" Harper -- the latter of whom was eventually replaced by Robin Taylor-Firth -- Nightmares on Wax became one of the brightest spots on the post-rave British techno map of the early '90s. NoW's debut album, A Word of Science, was -- along with early tracks by LFO, Tuff Little Unit, and Tricky Disco -- a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London rave and acid, and the burgeoning eclecticism of the years to come. Formed in the late '80s in West Yorkshire as an extension of Evelyn and company's b-boy crew the Soul City Rockers, NoW's first singles, "Dextrous" and "Aftermath," were both highly regarded, and the latter shot into the U.K. pop singles Top 40. The subsequent album laid a good deal of the groundwork for the downtempo experimental hip-hop/electro-funk worked over by Mike Paradinas, Luke Vibert, Spacer, and others, and earned the group a secure spot among techno's select crew of next-step innovators.

The group nonetheless disbanded following Science's release, with early contributor Kevin Harper leaving to pursue a DJ career and Evelyn turning out a smattering of house tracks on Warp's Nucleus subsidiary before settling into bedroom woodshed mode, often joined by Taylor-Firth. Following a four-year hiatus, Evelyn resurfaced with a track on the Mo' Wax Headz compilation and, soon after, Smoker's Delight, basically an instrumental hip-hop album with a distinctively British eclecticism. Still involved with the same sorts of genre-spanning sampler-and-sequencer experiments, Smoker's Delight was also less obvious, suited more to repeat listenings than previous material. The same was also true for 1999's Carboot Soul, Evelyn's first album as part of a deal with American indie label Matador for domestic distribution. In 2000, NoW produced the first new track by De La Soul in several years, included on an EP -- Sound of N.O.W -- featuring the rap pioneers. Following on its heels was a volume in the Studio !K7 mix series DJ-Kicks.

Two years later, Evelyn delivered his fourth LP, Mind Elevation. A bigger gap preceded the release of his next proper LP for Warp, but In a Space Outta Sound finally appeared in 2006, while 2008's Thought So... and the unmixed selector compilation Coming Home followed closely behind. Evelyn continued to work as a downtempo DJ, collaborated with Jazzanova arranger Sebastian Studnitzky, and released Feelin' Good, another eclectic set of productions, in 2013. The following year brought a retrospective set, N.O.W. Is the Time, to celebrate 25 years of activity. Morgan Geist, Optimo's JD Twitch, and Ashley Beedle, among others, granted remixes. Evelyn issued the Ground Floor EP, featuring Andrew Ashong, Wolfgang Haffner, and Acid Mondays, in 2016. The next year, he released the first in a batch of singles that preceded the early-2018 set Shape the Future. ~ Sean Cooper

Yorkshire, England




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