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Mish Maoul

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Album Review

Even when paying homage to the Moroccan music she grew up with, vocalist Natacha Atlas can't help but let the multicultural and modern seep in. With bossa nova, Western pop, and just a thin slice of electronica figuring into the mix, the "back to my roots" album Mish Maoul is a rich collection of music that doesn't sound decorated but natural coming from an artist who prides herself in being a musical nomad. Easy to believe a nomad's memories of her homeland would be foggy and sentimental, and easy to believe the modern nomad's soundtrack would sound something like this — only something like this because this is far and away Atlas' most personal album. Suitably, she seems totally in charge of its construction, making interesting production choices with the help of Temple of Sound, Timothy Whelan, and others. For someone who has worked with Transglobal Underground, Art of Trance, and Jah Wobble in the past, the restraint Atlas uses on the rhythmic and ritualistic "Hayati Inta" is surprising and creates an intoxicating tension with only a slight bit of electric guitar revealing this isn't a field recording. Minor bits of studio trickery decorate the otherwise earthy "Bathaddak," while the playful "Haram Aleyk" lazily strolls from organic to electronic and back again. Pulling out the stops are the Massive Attack-by-way-of-Bollywood "Lil Khowf" and the much more pop "Feen," which could be considered the album's lone stumble depending on your tolerance for sweet "You can do it!" songs. With only a Brazilian-flavored acoustic guitar supporting Atlas' entrancing voice and heartfelt delivery, "Yariet" brings the album to a soft, organic close and suddenly it becomes apparent that despite the electronics and genre blending heard previously, Atlas music isn't so much "otherworldly" now as "worldly" in the most eye-opening sense of the word.

Customer Reviews

If you like Tawher you’ll Love Queen

I love her and she has the look and great voice behind it, her style similar to Tawher, Except that Tawher mix rock and hip hop in his Music,.... she is worth it, ....she has a new Style. and it is gooood.

A Different Departure...

I have been a Natacha fan for about three years now. And Natacha has never failed to impress. After a three year hiatus, Natacha releases a new album (her best of doesn't really count as an album). I do have to say that this was not what i really expected. There are some really good tracks here, but there are some that need to grow on me. I bet if you will listen to this long enough, it will grow on you and me. And i have to say this. THE COVER IS REALLY BEAUTIFUL!!!!

Unique and interesting

I love middle eastern music, and I must say Natacha Atlas's style is unlike any Arabic music I've ever heard. Very interesting I love the sounds the mixture of Arab and western instruments. For example in the song Hayati Ana, you hear the tradition lullations of middle eastern women, clapping, the 3ood (sort of guitar looking instrument), some kind of flute instrument, clapping, and then towards the middle of the song you hear electric guitar, very unique yet pleasant combination. I like artisrts who are unique and do their own thing, I would definitely categorize Natacha as one of them. Some of the tracks are a little strange I admit but over all it's a very good album.


Born: March 20, 1964 in Brussels, Belgium

Genre: World

Years Active: '90s, '00s, '10s

North African and Arabian music is given a modern, dance-inspiring twist by Brussels-born and Washington, D.C.-based vocalist Natacha Atlas. A former singer for techno-pop band Transglobal Underground, and an occasional collaborator of Jah Wobble, Atlas has continued to explore the fusion of her musical roots with Western electronic dance music. While Option magazine explained, "[Atlas] has a beautiful voice, which sounds curiously like a blend between traditional Middle Eastern singers and Elizabeth...
Full Bio
Mish Maoul, Natacha Atlas
View in iTunes

Customer Ratings