9 Songs, 36 Minutes


Mastered for iTunes


Mastered for iTunes

Ratings and Reviews

5.0 out of 5
14 Ratings
14 Ratings
LTJ505 ,

Faces with Rod Stewart and Ron Wood

The Faces had a reputation for sometimes putting on sloppy drunken shows. Maybe so, but when I saw them live the Faces rocked the house. A certain level of sloppiness was always part of their charm. They were one of the few famous groups that actually seemed to be having fun when playing on stage - perhaps a bit too much fun at times. Rod Stewart could still sing after he went disco/mainstream in the late 70's. But IMO he sounded best during the Faces period. Ron Wood was a great part of the Faces sound with his trademark chunky/fuzzy guitar licks which went so well with Stewart's voice, the drums of Kenny Jones and especially with Mickey Waller who played drums on some of Stewart's early solo albums like 'Never a Dull Moment' - not sure if Waller was actually in Faces(?). And there was also the late great Ronnie Lane and his inspired bass lines. Anyway. I would say that "Too Bad" is the most Faces-esque rocker on this album and it features Ronnie Wood's unique guitar style at its best. I've always been mildly disappointed with Wood's role in the Rolling Stones. I had such high hopes when he first joined Keith Richards and Co., but his guitar sound has never seemed quite the same since. And his departure from Stewart seems to have been at least one cause of Rod Stewart's very unfortunate change of style (some would say sellout).

Ty_redkoalabear ,

Rock N Roll

Rod Stewart leads his band through one of the greatest rock albums of all time. All the songs shine through with heavy guitar and a healthy amount of fuzz.

About Faces

When Steve Marriott left the Small Faces in 1969, the three remaining members brought in guitarist Ron Wood and lead singer Rod Stewart to complete the lineup and changed their name to the Faces, which was only appropriate since the group now only slightly resembled the mod-pop group of the past. Instead, the Faces were a rough, sloppy rock & roll band, able to pound out a rocker like "Had Me a Real Good Time," a blues ballad like "Tell Everyone," or a folk number like "Richmond" all in one album. Stewart, already becoming a star in his own right, let himself go wild with the Faces, tearing through covers and originals with abandon. While his voice didn't have the power of Stewart, bassist Ronnie Lane's songs were equally as impressive and eclectic. Wood's rhythm guitar had a warm, fat tone that was as influential and driving as Keith Richards' style.

Notorious for their hard-partying, boozy tours and ragged concerts, the Faces lived the rock & roll lifestyle to the extreme. When Stewart's solo career became more successful than the Faces, the band slowly became subservient to his personality; after their final studio album, Ooh La La, in 1973, Lane left the band. After a tour in 1974, the band called it quits. Wood joined the Rolling Stones, drummer Kenny Jones eventually became part of the Who, and keyboardist Ian McLagan became a sought-after supporting musician; Stewart became a superstar, although he never matched the simple charm of the Faces.

While they were together, the Faces never sold that many records and were never considered as important as the Stones, yet their music has proven extremely influential over the years. Many punk rockers in the late '70s learned how to play their instruments by listening to Faces records; in the '80s and '90s, guitar rock bands from the Replacements to the Black Crowes took their cue from the Faces as much as the Stones. Their reckless, loose, and joyous spirit stayed alive in much of the best rock & roll of the subsequent decades.

Lane was diganosed with multiple sclerosis in the 1970s but continued to work. He relocated to Austin, Texas in the 1980s and worked until the disease claimed his life in 1997.

MacLagan also relocated to Austin, where he became an integral part of the city's vibrant music scene. In addition to leading his own group, the Bump Band, he collaborated with musicians--well known and obscure--in recording sessions and on the stage. He suffered a stroke on December 2, 2014, and passed away a day later. ~ Stephen Thomas Erlewine

London, England
March, 1969



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