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Bad Man's Blood

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Album Review

For decades, bluesman and songwriter Ray Bonneville worked day jobs while playing his songs in coffee houses and house parties at night, eventually earning a place on international festival stages with Muddy Waters and Bukka White long before he had a recording contract. Since 1993, Bonneville's issued a host of recordings of consistently high quality. 2008's Goin' by Feel, produced by Gurf Morlix, scored him a number one at Americana with "I Am the Big Easy," his tribute to New Orleans (Bonneville lived there before relocating to Austin). Bad Man's Blood was co-produced with Justin Douglas and Morlix (electric, baritone, and bass guitars and banjo), percussionist Mike Meadows, and saxophonist Dexter Payne, in various combinations. Bonneville plays an amalgam of acoustic and electric guitars, harmonica, and his trademark foot stomp. The blues songs — the poetic, narrative title track (inspired no doubt by hardbitten characters from Gothic American fiction) to raw, skeletal, electric snaky rhythm constructions like "Mississippi," that addresses the Delta's tradition in his playing and the horrors of the river flooding in its historical story line. "Night Walker" is a spooky 12-bar, too, but in its acoustic, minor-key architecture, it feels more like a tango. Elsewhere, "Sugar and Riley" has more New Orleans R&B in it, especially with its strolling sax lines and shuffling percussion. "Good Times" and "River John," though very different songs in feel and melody, come from French Canadian and Cajun folk melodies. "Darlin' (Put Your Suitcase Down)," with a beautiful harmony vocal by Morlix and his slow, pulsing bassline, offers Bonneville a supporting tightrope to walk on the most vulnerable love song he's written. "Blonde of Mine" is acoustic Cajun blues at its best, and there are few as good at it as Bonneville. There are no clichés, just the heart of the music's grain. "Crosses and Flowers" is knife-edged in its narrative tension. Morlix and Bonneville's guitars are a hypnotic weave of rhythms and zig-zagging lines, with only Meadows' tom-toms pacing them; they underscore the sinister lyrics. The set closes with the infectious Cajun country of "'Funny 'Bout Love," but not before the all-too-brief, shambolic rent party instrumental "Ray's Jump." With darkness and light fighting for dominance here, Bad Man's Blood emerges as Bonneville's most nakeds record to date. He's stripped away every musical excess to let the songs speak for themselves.

Customer Reviews

Bob Dylan with a better voice

This guy write good songs with sort of a spooky, Bob Dylan like in spots, sound. He grows on you and this is a very good album. Songs are mostly about life and they have that swampy New Orleans feel. He sings like Bob Dylan in the late 80s. Not a great voice but it fits his songs well. Definitely better than Dylan sings now. Songs are simply arranged with good guitars and nice harmonica fills. I assume he plays that also. Sort of similar to Chris Smither.

Uncle Joe’s Tunz


Never heard of the guy,had a listen to the preview, bought the album ,this class blues


Itunes directed me to Ray Bonneville. I had never heard of him before. I like the music.Bought a few songs and plan to go back and fill in the album. It slow relaxing blues music


Genre: Blues

Years Active: '90s, '00s, '10s

Blues singer, musician, and songwriter Ray Bonneville is a Juno Award winner originally from Canada. Before he reached his teens, his large family moved to the United States; a few years later, when they returned to Canada, Bonneville stayed in the States on his own. He found work as a member in different bands and as a studio musician, playing both the harmonica and guitar. When he discovered being a musician wasn't paying all of the bills, he studied flying and put in enough hours to get his pilot's...
Full Bio