In the Digital Mood (Limited Gold Edition)
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||In the Mood||Glenn Miller Orchestra||3:40||$1.29||View In iTunes|
||Chattanooga Choo Choo||Glenn Miller Orchestra||3:41||$0.99||View In iTunes|
||The American Patrol||Glenn Miller Orchestra||3:25||$0.99||View In iTunes|
||String of Pearls||Glenn Miller Orchestra||3:16||$0.99||View In iTunes|
||Little Brown Jug||Glenn Miller Orchestra||3:08||$0.99||View In iTunes|
||(I've Got a Gal In) Kalamazoo||Glenn Miller Orchestra||2:42||$0.99||View In iTunes|
||Tuxedo Junction||Glenn Miller Orchestra||3:40||$0.99||View In iTunes|
||At Last||Glenn Miller Orchestra||2:46||$0.99||View In iTunes|
||St. Louis Blues March||Glenn Miller Orchestra||4:20||$0.99||View In iTunes|
||Pennsylvania 6-5000||Glenn Miller Orchestra||3:13||$0.99||View In iTunes|
||Moonlight Serenade||Glenn Miller Orchestra||3:18||$0.99||View In iTunes|
This CD may be scoffed at by serious jazz listeners, and even by big-band devotees wary of modern "ghost band" performances, but the fact is that it sold over 100,000 pieces when it first appeared in 1983, and its CD version was among the very earliest compact discs ever released commercially in the United States (indeed, so early that the actual CDs had to be imported from Japan). The second-ever release by GRP Records, it put the label on the map, and it also stood as testimony to how good those original arrangements of the Glenn Miller Orchestra were. So how is it as music? At worst entertaining, and at best revealing, and also at times a little frustrating — on the plus side, even heard in 2007, twenty-four years after the fact, the sound here is damned impressive; you can safely rank this release as one of the very earliest, if not the very first audiophile CDs to be released. The fact that it features 18 top-flight musicians under the baton of Larry O'Brien, then the leader of the touring Glenn Miller Orchestra, only makes it more impressive. What's more, with the quality of the playing, one will be able to make out minuscule elements of the original arrangements that were long obscured on the classic late-'30s/early-'40s Glenn Miller sides. Musicians with an appreciation of these arrangements will probably love this recording, and casual fans should embrace it heartily: these boys swing in 1983 about as well as their predecessors from 41 years earlier did. And the vocal numbers are no exception — in contrast to Columbia Records' mid-'60s efforts to revive the Miller orchestra as a recording unit (which failed not just because of the timing of the project but also the uneven quality of the resulting albums), numbers like "Pennsylvania 6-5000" and "(I've Got a Gal In) Kalamazoo" are as hot here as there were four decades before. And the singers include Mel Tormé and Julius LaRosa (doing a solo) in their ranks. Still, it's the instrumentals that make up the bulk of this album, and on that level it's similarly unimpeachable, at least most of the way through — "Tuxedo Junction" (which includes Dave Grusin sitting in on piano) is so close to the original that it's easy to forget who you're listening to and when they put this track down; and serious listeners should probably hold out for the "Gold Disc" edition or the Japanese version of this CD, which contain a bonus track, "At Last," featuring a trombone solo by Urbie Green that is worth the price of the CD by itself. Now, all of that said, there are a couple of quibbles: the absence of the cowbell on "In the Mood," and the "clever" notion on "Pennsylvania 6-5000" of ending the number with — well, you can guess. This is still one cool, swinging release and, with its virtuoso musicianship, offers many of the same appealing qualities as the original Miller recordings.
In The Digital Mood
This is the best rendition available. It was arranged to the original score as written by Glenn Miller. Listening to it with your eyes closed you would swear you are seated in front of Glenn Miller and his band.
THIS IS SUPERB!!!
I snapped this up when it first came out -- at more than double the price! Unfortunately, it was stolen and I just replaced it. All the superlatives here are TRUE. This is a must-have for big band devotees. After listening to the original 78s and LP reissues for years, this is almost like listening to the music in "3-D". Everything is so clean and defined. Does anyone know if the Glenn Miller Orchestra is still playing in 2008?? If they are, PLEASE make more recordings like this one!!! Bring back these fabulous Big Band tunes for the digital age. They deserve a NEW life!
In The Digital Mood Glenn Miller Orchestra
I discovered this cd back in 1988 searching for some good demo material. I took one listen and Dave Grusin sucked me right into the music, the beat, and blend. For the first time I could hear all the instruments and the quality of the recording blew me away! It stays on the top shelf of my large cd collection.