10 Songs, 46 Minutes

EDITORS’ NOTES

Seven years after her last work with The Dixie Chicks and 10 since she was effectively banned from commercial country music radio for criticizing George W. Bush's war in Iraq, Natalie Maines bypasses country music for a far more adventurous rock sound that lets her sing as never before. Producer Ben Harper keeps the arrangements fluid; his song "Trained" is delivered as a two-and-a-half-minute blast of pure hard rock release. Pink Floyd's "Mother" takes on a new point of view when sung by a woman. "Come Cryin' to Me," written with the other Dixie Chicks, nails down a solid Americana-rock sound. The Jayhawks' "I'd Run Away" defies gravity and takes flight. Dan Wilson, who cowrote a few Dixie Chicks hits, brings "Free Life" for Maines to deliver as a soft rocker. Patty Griffin's "Silver Bell" chugs along as a '70s Stones–like rocker, with thick guitar riffs and a pounding piano pushing Maines forth. But it's Jeff Buckley's "Lover, You Should've Come Over" where Maines uses every vocal technique in her arsenal to transcend all genres, ending up in a place of unique expression and art. 

Mastered for iTunes

EDITORS’ NOTES

Seven years after her last work with The Dixie Chicks and 10 since she was effectively banned from commercial country music radio for criticizing George W. Bush's war in Iraq, Natalie Maines bypasses country music for a far more adventurous rock sound that lets her sing as never before. Producer Ben Harper keeps the arrangements fluid; his song "Trained" is delivered as a two-and-a-half-minute blast of pure hard rock release. Pink Floyd's "Mother" takes on a new point of view when sung by a woman. "Come Cryin' to Me," written with the other Dixie Chicks, nails down a solid Americana-rock sound. The Jayhawks' "I'd Run Away" defies gravity and takes flight. Dan Wilson, who cowrote a few Dixie Chicks hits, brings "Free Life" for Maines to deliver as a soft rocker. Patty Griffin's "Silver Bell" chugs along as a '70s Stones–like rocker, with thick guitar riffs and a pounding piano pushing Maines forth. But it's Jeff Buckley's "Lover, You Should've Come Over" where Maines uses every vocal technique in her arsenal to transcend all genres, ending up in a place of unique expression and art. 

Mastered for iTunes
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Ratings and Reviews

4.0 out of 5
876 Ratings
876 Ratings
@Thebenhamilton ,

The Voice that Trumpets your Soul

This cover of Eddie Vedder's is almost not a cover. Natalie brings in her voice and makes a song that was fresh even more so. A song that will undeniably get stuck in your head. Her band (with the help of Ben Harper) works perfectly with Natalie's voice of adaptability. This song is a brief showcase of what is to come. Who's excited? That would be me!

Boyzer02291988 ,

A-

Not the chicks but def something worth buying and listening to. :). Something from her is better than nothing. As for those of you that continue to boycott her for something she said years ago, may you never do something in your life that results in judgement by others and if you do I hope they give you hell!

mattal1958 ,

terrific

Somebody here wrote that her voice is "horrible?"
That person better get their hearing checked. Natalie, if nothing else, is one of our GREAT singers in the pop/country/rock medium.
If Natalie's voice is "horrible," what does that make 99% of the crap that gets played (and auto-tuned) on contemporary radio these days?
Clean out your ears, pal.

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