11 Songs, 48 Minutes

EDITORS’ NOTES

On Painted Ruins, Grizzly Bear continue to revel in the dynamic between relaxed and urgent. Breathy vocals, arrangements that move from stripped-down and subdued to grand and cathartic—it's all there. But they’ve also found a new groove. “Wasted Acres” is bathed in lush, buzzing atmospheres, but its almost loungey swing fits like a worn-in pair of jeans. The intricate drumming that propels “Three Rings” also falls right in the pocket. But those newfound comforts are most apparent in the thrumming bass of the New Wave-kissed “Mourning Sound” and on "Glass Hillside,” where the band channels Steely Dan’s jazzier moments.

EDITORS’ NOTES

On Painted Ruins, Grizzly Bear continue to revel in the dynamic between relaxed and urgent. Breathy vocals, arrangements that move from stripped-down and subdued to grand and cathartic—it's all there. But they’ve also found a new groove. “Wasted Acres” is bathed in lush, buzzing atmospheres, but its almost loungey swing fits like a worn-in pair of jeans. The intricate drumming that propels “Three Rings” also falls right in the pocket. But those newfound comforts are most apparent in the thrumming bass of the New Wave-kissed “Mourning Sound” and on "Glass Hillside,” where the band channels Steely Dan’s jazzier moments.

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