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Mr. Saturday Night

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Album Review

With Billy Joel continuing his self-imposed recording hiatus and Elton John abandoning his trademark sound in favor of pursuing an alt-country direction, New York-born, London-based crooner Julian Velard stakes his claim to take over the ivory-tinkling singer/songwriter mantle with his fifth studio album, Mr. Saturday Night. The former Parisian street sweeper may have been discovered through very modern means (he was signed to EMI after being spotted on MySpace), but his follow-up to The Planeteer is very much an old-school affair, with only the John Mayer-esque, radio-friendly, guitar pop of "No Wrong" and the funky disco grooves of "Everybody Wants to Be Famous" deviating from the theatrical, '70s-inspired, piano-led rock formula. While the plodding Leo Sayer-styled ballad "Still in Love" and the dreary closing number "Another Guy's Song," may drift into mediocre cabaret territory, Velard's theatrical charms, lyrical quips, and smooth, Rat Pack-inspired crooning ensure the album is far from your bog-standard Broadway pop affair. Performed under the guise of a fictional, bow tie-wearing character (named Mr. Saturday Night), his story-telling capabilities are just as effective when tackling matters of the heart, such as the lush, twinkling soft rock of "Sentimental" and the driving AOR of "Love Again for the First Time," as they are when showcasing his sarcastic and satirical tendencies, as on the jaunty Cockney-ish singalong of opener "Me and My Mirror on a Saturday Night" and the brass-fused bluesy stomp of "Fellow Americans," while producers Jerry Abbott and Grant Black (Craig David) and Steve Power (Robbie Williams) showcase their odd box of tricks with the oompah-band riffs of "Take the Money and Run," the quirky, spacy synths of "Soundtrack of My Life," and the handclapping, folky rhythms of "The Guy Who." Comparisons with Rufus Wainwright will ensue, but Mr. Saturday Night is more crowd-pleasing show-stopper than avant-garde revue, and while it doesn't bring anything new to the pop-showtune table, it's an uplifting and engaging effort which deserves be Velard's much-needed breakthrough. ~ Jon O'Brien, Rovi

Customer Reviews

The world's latest, greatest piano rocker

Julian Velard is, in a word, awesome. When you hear JV tunes for the first time, you tend to think—I KNOW this song already! But you quickly realize you don't. What you know is his influence. You hear some Rufus, you hear some Elton, you hear some Ben, and you hear some Billy. Julian's learned from the masters and defined his own unique and rocking voice, and it's one not to be missed.

Mr. Saturday Night is an impressive achievement. The brilliant "Love Again For The First Time", the uptempo smashes "Me and Me My Mirror on a Saturday Night," "Fellow Americans," and "Everybody Wants to Be Famous," the beautifully arranged "Sentimental"—each track is individually awesome, and the album as a collective is nothing short of excellent. Stop reading this review and buy the album.

Matured with grace...

I found Julian on myspace years ago when "Been This Strange" was the top played song. After all these years, he's grown into his deep voice and 70's style music. This album shows exactly what he believes how music should be. It's careless, truthful and full of meaning. Purchase this album, it will be the best thing you have ever done.

JV

Julian Velard is so wonderfully talented. He's amazing.

Biography

Born: October 6, 1979 in New York, NY

Genre: Pop

Years Active: '00s, '10s

Born in New York on October 6, 1979, Julian Velard would hold his ground in the early '90s — he was into crooners, cabaret, and piano-focused singer/songwriters, while grunge, guitars, and angst were on the ascent — to become a bit of an Internet phenomenon in England, where his unique yet reverential form of songwriting took hold in 2006. After completing school, Velard began gigging around Brooklyn, and while he received some solid attention for his work, he went relatively unnoticed...
Full Bio
Mr. Saturday Night, Julian Velard
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