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Marvin's Marvelous Mechanical Museum

Tally Hall

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Album Review

The debut album from the quirky Michigan-based Tally Hall, Marvin's Marvelous Mechanical Museum features the band's rambunctious, playfully literate and often surreal pop. Centered on the four songwriting talents of Rob Cantor, Ross Federman, Joe Hawley, and Andrew Horowitz, Tally Hall often comes off as a precocious barbershop quartet backed by the Raconteurs. In that sense, while the album does evoke such '60s album touchstones as the Beatles' Sgt. Pepper's Lonely Hearts Club Band, the Beach Boys' SMiLE, and the Kinks' The Village Green Preservation Society, primarily it is a modern mix of humorous baroque pop, sincere singer/songwriter moments, deceptively slick garage rock, and even some ironic rap. With that in mind, fans of such similarly minded alt-rock satirists and stylistic omnivores as the Barenaked Ladies and They Might Be Giants should find much to appreciate here. To these ends, it's immediately clear why the leadoff cut "Good Day" won the 2004 John Lennon Scholarship Competition as it's a melodically catchy and sparklingly heady combination of psychedelic rock meets the Buggles. Similarly, such cuts as the power pop inflected "Greener" and "Two WUV" — a somewhat creepy jokey ode to the Olsen Twins — make a legitimate bid for the Weezer end of modern rock radio. Throw in a few dewy-eyed adult-alternative ballads like Cantor's "Apathy" that draw well-deserved comparisons to Ben Folds Five, and you have the makings of thoroughly listenable mainstream pop album. That said, a large part of the Tally Hall experience is a defiantly conceptual, utterly theatrical, screwball and, more often than not, epic brand of British music hall inspired pop that may not be everyone's cup of tea. However, for those who connect with the band's off-kilter sense of humor and ambitious glee club rock, Marvin's Marvelous Mechanical Museum may just be the type of place they want to return to time and again.

Customer Reviews

A surprisingly stimulating album experience

After seeing the music video for "Good Day", I instantly fell in love with this band. Nearly everyone in the band is a songwriter with a unique style, and as such the album is genre-defying and an absolute delight to listen to. Every song is so different, yet the whole thing comes together into a cohesive experience that is just plain fun. The songs are meticulously crafted and layered, often transcending any sort of "rock" label and becoming what is quite simply a well-written piece of music. The lyrics are fun and lighthearted, the harmonies are tight and smooth, and each song is a unique surprise. This is a musical experience that doesn't take itself too seriously, yet still warrants a good listen all the way through, alone and with a good pair of headphones.

Tally Hall is an amazingly talented and all-around awesome group of guys, and I get the feeling that big things are in store for them in the near future.

The title <3

Nice album! I live a half hour away from Marvins Marvalous Mechanical Musem. Next door there used to be a place called Tally Hall! :{)

Simply flawless

Bought this off a whim and I was pleasantly surprised to find it in my top 5 favorite albums of all time. It's catchy, it's fun, it has highs and lows, but most of all, the skip button isn't pushed when one of the songs come up in a shuffle. 5/5

Biography

Formed: December, 2002 in Ann Arbor, MI

Genre: Alternative

Years Active: '00s

Ann Arbor, MI's Tally Hall feature vocalist/guitarist Rob Cantor (Yellow), guitarist Joe Hawley (Red), bassist Zubin Sedghi (Blue), keyboardist Andrew Horowitz (Green), and drummer Ross Federman (Silver). Most will know them by the color of their ties; however, their infectious blend of '60s pop harmonies, garage rock work ethic, playful sense of humor, and indie rock sensibilities make Tally Hall a standout among followers. The group was formed...
Full Bio
Marvin's Marvelous Mechanical Museum, Tally Hall
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