14 Songs, 1 Hour, 3 Minutes

EDITORS’ NOTES

Sonically spacey and lyrically spiritual, Mute Math borrows from a host of pop/rock influences on its 2006 self-titled debut album. You can hear elements of the Police, Peter Gabriel, and Radiohead simmering in this New Orleans-based band’s atmospheric musical blend, united by a Christian sensibility that insinuates more than it preaches. Singer/keyboardist Paul Meany floats upon drummer Darren King’s slippery grooves with the air of an enraptured pilgrim, seeking answers amidst the snares of earthly life. Tunes like “Typical,” “Chaos,” and “Stall Out” wrestle with matters of life and faith against woozy rhythms and liquid synthesizer lines. Mute Math can churn up waves of ominous sound, as the roiling “Collapse” and the angular “Reset” demonstrate. And they can unleash crisp pop shots like “Noticed” or slide into hypnotic shuffles like “Obsolete” without stumbling. The band’s songs seem more about striving for a glimpse of Truth than resting in the arms of the angels, and this sense of restlessness adds drama to the album, elevating it above the typical output of Christian rock combos. Mute Math may prefer the dreamy to the definite, but there’s no mistaking the eloquence of its music in these tracks.

EDITORS’ NOTES

Sonically spacey and lyrically spiritual, Mute Math borrows from a host of pop/rock influences on its 2006 self-titled debut album. You can hear elements of the Police, Peter Gabriel, and Radiohead simmering in this New Orleans-based band’s atmospheric musical blend, united by a Christian sensibility that insinuates more than it preaches. Singer/keyboardist Paul Meany floats upon drummer Darren King’s slippery grooves with the air of an enraptured pilgrim, seeking answers amidst the snares of earthly life. Tunes like “Typical,” “Chaos,” and “Stall Out” wrestle with matters of life and faith against woozy rhythms and liquid synthesizer lines. Mute Math can churn up waves of ominous sound, as the roiling “Collapse” and the angular “Reset” demonstrate. And they can unleash crisp pop shots like “Noticed” or slide into hypnotic shuffles like “Obsolete” without stumbling. The band’s songs seem more about striving for a glimpse of Truth than resting in the arms of the angels, and this sense of restlessness adds drama to the album, elevating it above the typical output of Christian rock combos. Mute Math may prefer the dreamy to the definite, but there’s no mistaking the eloquence of its music in these tracks.

TITLE TIME
1:12
4:12
1:14
4:54
4:29
4:46
4:33
4:30
6:00
4:43
4:39
5:26
7:06
5:25

About MUTEMATH

Taking cues from several decades of alternative rock, MUTEMATH (also known as Mute Math and MuteMath) fuse together New Order's synth-dance epics, the Stone Roses' shambling shuffle, Radiohead's chilliness, Air's ambient pop, and the booming vocals of mainstream pop/rock. Singer Paul Meany, formerly of the Christian rock group Earthsuit, was working in New Orleans when he began a long-distance musical correspondence with drummer/programmer Darren King, who was based in Springfield, Missouri. The two began sending CD-Rs back and forth up the Mississippi River, eventually putting enough songs together to convince King to relocate to New Orleans and start a proper band. After adding guitarist Greg Hill and bassist Roy Mitchell-Cardenas, the new band completed the Meany-King compositions in 2003; Meany then took the resulting demo to noted CCM producer Tedd T., who was enthusiastic enough to launch a new indie label, Teleprompt Records, in order to release 2004's Reset EP. The EP's success allowed MUTEMATH and Teleprompt to negotiate a distribution deal with Warner Bros., which reissued the EP in 2005.

Although MUTEMATH completed their self-titled debut album that same year, marketing disputes between Teleprompt and Warner Bros. delayed its release for nearly a year. MUTEMATH and Teleprompt filed suit against the major label, claiming breach of contract and negligent misrepresentation. The band's website announced that the suit was settled out of court, concurrent with the signing of an improved deal with Warner Bros. An expanded version of MUTEMATH, featuring remastered tracks from Reset and a bonus limited-edition live EP, was released on September 26, 2006.

"Typical" proved to be a modestly successful single, cracking the mainstream rock charts in 2007 and finding a home on MTV, where the song's Grammy-nominated video became a hit. Tours with Eisley, Alanis Morissette, and Matchbox Twenty honed the band's live chops, and MUTEMATH returned in 2009 with a new album, Armistice. The album debuted at number 18, and MUTEMATH toured heavily in support, capturing one of their live shows on the 2010 concert album Armistice Live. Todd Gummerman replaced guitarist Greg Hill that October, and the follow-up studio album, Odd Soul, was released in 2011. Vitals, the band's fourth studio long-player, was issued in 2015 via the band's own label, Wojtek Records, and featured the singles "Monument" and "Used To." The following year saw the release of "Changes," a new MUTEMATH single that, along with several remixes from the Vitals sessions, was included on an album of the same name. Following the departure of longtime bassist Mitchell-Cardenas, the band announced the release of "Hit Parade," the lead single from their fifth LP, Play Dead. One month before the album's September 2017 release, founding drummer King also departed. ~ Stewart Mason

  • ORIGIN
    New Orleans, LA
  • FORMED
    2001

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