14 Songs, 56 Minutes

EDITORS’ NOTES

Having vaulted to new heights with 2015’s Blurryface, followed by nearly two solid years of touring, twenty one pilots were in need of a break. Recorded primarily in the band’s Columbus, Ohio, studio during a yearlong public silence, their fifth album Trench picks up where the band left off in both sound and subject, exploring rugged emotional terrain in a style by turns cathartic and cryptic. If Blurryface was, as Tyler Joseph told Beats 1 host Zane Lowe, a “mirror” for his insecurities, Trench is a place where he could go to regain control—or, as he puts it on the tender, album-closing “Leave the City”: “But this year/though I’m far from home/In trench I’m not alone.”

What continues to resonate is Joseph’s ability to turn his personal pain into shared experience, his inner dialogue into public art. “Surrounded and up against a wall,” he sings on the disco-ish “My Blood,” “I’ll shred ’em all and go with you.” Whoever he might be talking to (his fans, his wife, his friends), you get the sense the words double as a promise to himself. “I never would have turned to music if I didn’t feel like I need to change or cope with something,” he told Beats 1. “I was perfectly fine before music, and then something happened where I just felt a buildup of some sort. I didn’t know how to decompress that and to have an outlet for it—I was forced to learn how to play the piano.”

EDITORS’ NOTES

Having vaulted to new heights with 2015’s Blurryface, followed by nearly two solid years of touring, twenty one pilots were in need of a break. Recorded primarily in the band’s Columbus, Ohio, studio during a yearlong public silence, their fifth album Trench picks up where the band left off in both sound and subject, exploring rugged emotional terrain in a style by turns cathartic and cryptic. If Blurryface was, as Tyler Joseph told Beats 1 host Zane Lowe, a “mirror” for his insecurities, Trench is a place where he could go to regain control—or, as he puts it on the tender, album-closing “Leave the City”: “But this year/though I’m far from home/In trench I’m not alone.”

What continues to resonate is Joseph’s ability to turn his personal pain into shared experience, his inner dialogue into public art. “Surrounded and up against a wall,” he sings on the disco-ish “My Blood,” “I’ll shred ’em all and go with you.” Whoever he might be talking to (his fans, his wife, his friends), you get the sense the words double as a promise to himself. “I never would have turned to music if I didn’t feel like I need to change or cope with something,” he told Beats 1. “I was perfectly fine before music, and then something happened where I just felt a buildup of some sort. I didn’t know how to decompress that and to have an outlet for it—I was forced to learn how to play the piano.”

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About twenty one pilots

twenty one pilots' cathartic, kitchen-sink style—which folds in alt-rock, reggae, electronic music, and rap—is one of the most unique, unclassifiable commercial sounds of the 2010s. Formed by friends Tyler Joseph, Nick Thomas, and Chris Salih in Columbus, Ohio, the band took its name from Arthur Miller's play All My Sons, in which a contractor knowingly sends off faulty airplane parts to Europe during World War II, resulting in the death of 21 pilots. The band self-released two albums before making the leap to a subsidiary of Warner Music Group in 2012, shuffling ranks along the way before settling on singer-songwriter Joseph and drummer Josh Dun as its core members. As a duo, they delved further into the idiosyncrasies of their sound—characterized by a minimal blend of keyboards, driving drums, and playful, self-probing lyrics—winning a Grammy in 2017 for their single “Stressed Out.” In 2018, they released the heavily anticipated Trench.

A practicing Christian, Joseph credits his faith—and the sustained internal dialogue that comes with it—as a source of inspiration, using his art as a platform to wrestle directly with his demons. Touring behind 2015’s Blurryface, for example, he covered his neck and arms with black greasepaint on stage—a visualization of his insecurities. That honesty has earned the band a remarkably dedicated fanbase. “I never would have turned to music if I didn’t feel like I need to work on something or change or cope with something,” Joseph told Beats 1 host Zane Lowe in the weeks before releasing Trench. “I think that I was perfectly fine before music, and then something happened where I just felt, like, a buildup of some sort. And I didn’t know how to release that. I didn’t know how to decompress that and to have an outlet for it. And I was forced to learn how to play the piano.”

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