14 Songs, 57 Minutes


Ratings and Reviews

4.5 out of 5

93 Ratings

93 Ratings



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17 Years Later...


For those of you who think Mary J. Blige is overrated, think again. For every album she’s EVER released, she’s always put her heart and soul into them. She doesn’t care about how much money she can get from the records. All she really wants is to make a difference in this world and inspire many people to become better human beings.

This album REALLY demonstrates Mary’s growth and maturity. Every song has a good meaning to it: love, joy, pain, desire, and strength. I love every track on the album. I don’t care about that lame stereotype people put out there that males need to listen to male musicians and females need to listen to female musicians. If I think a singer/rapper is good enough for my ears, I’m going to listen to them.

And Mary J. Blige passes the test! Here’s my review of her songs on this album:

1. Intro:
Mary is always humble and respectful. For her to include P. Diddy [Puff] on this track, just as he was on the 1994’s My Life album, shows how Mary remains loyal to the music industry and where she has come from. Puff helped her music career from the beginning and she’s grateful for it!

2. Feel Inside (feat. Nas):
I love this song. The beat has the current hip-hop flare to it. I can hear this song being played in any club right now. Mary sings with her past ex-boyfriend Nas. For them to come together, YEARS later, and blend their talents together is awesome! I originally heard this song with Nicki Minaj, but this version is better!

3. Midnight Drive (feat. Brook Lynn):
This song captures Mary’s ‘sick’ ability to play with rhymes. She has such attitude and arrogant confidence in her voice as her alter ego, Brook Lynn, takes you into the gist of what the song is trying to say.

4. Next Level (feat. Busta Rhymes):
Since Mary originally collaborated with Busta Rhymes on the “What’s the 411?” album, it was interesting for her to bring him back into the studio for this album. As Mary said in an interview, “He took the song ‘Next Level’ TO the next level.” This beat is fire with that crazy instrument sound looped in the background (I’m not too sure what it is, but I like it).

5. Ain’t Nobody:
Mary is awesome in her lyrical ability. Her voice is strong, unique, and mature as she does a remake for Chaka Khan’s hit song. Since Chaka was one of her greatest musical influences, you know this has to be an interesting song to listen to.

6. 25/8:
We’ve all heard this song on the radio before. It has a beat to it that’s not too fast or too slow. It’s meaningful and really makes you think about what you would do with an extra hour in your day, and an extra day in your week.

7. Don’t Mind:
*****This is my favorite track on this album. Because of the uniqueness of the bass in this song, it reminds me of the track “Feel Like a Woman” on her 8th album—Growing Pains. This is a really touchy, lovey-dovey song.

8. No Condition:
This song kind of has a sad feeling to it, but at the same time it can be positive. Mary talks about how her faith in her man has slowly begun to die, so she’s going to make it a mission to love him. The beat starts out a little interesting; making you think you won’t like it. But after 1 minute and 30 seconds, the REAL beat and instruments kick in. I didn’t like this song at first too much, but now I love it.

9. Mr. Wrong (feat. Drake):
I like this song too. Drake killed the beginning verse. When Mary assembles her voice to the rest of the song, she does it so intricately; with her strong highs and soft lows. Wow…

10. Why (feat. Rick Ross)
This song has a really nice beat that could go back to the 90s, and the natural bass in it adds to this effect. I’m not a huge fan of Rick Ross, but he does a great job with his rhymes.

11. Love a Woman (feat. Beyoncé)
Mary J. Blige and Beyoncé both have really strong voices and know how to use them well. This song is definitely not what some people thought it would be like (Mary and B hollering all over the place). It was perfect! These two women played off each other’s notes and followed in sync with one another. You can tell that this beat was put together with some thought.

12. Empty Prayers
This song is like the track “Smoke” from Mary’s 8th album—Growing Pains. It is so personal and heart felt. Mary is begging God to have the man she adores to love her back.

13. Need Someone
This song may sound country, but it’s not about the music. It’s about the words. I love this song because it’s real, and it’s true. Mary J. Blige ALWAYS has something meaningful to say.

14. The Living Proof
I heard this song after the movie “The Help.” It made me want to cry even more when I heard it. Mary’s voice is much stronger than it was 17 years ago. She has the experience to sing this song right here.

The greatest! My life 2


Mary has gone beyond and above once again! Much love I'm 18 a boy and love Mary! Real music right here!

About Mary J. Blige

When Mary J. Blige's debut album, What's the 411?, hit the street in July 1992, critics and fans were floored by its powerful combination of modern R&B and edgy rap production that glanced off of the pain and grit of the singer's New York upbringing. Compared to Chaka Khan and Aretha Franklin, Blige had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new flavors. With her blonde hair, self-preserving slouch, and combat boots, Blige personified street-tough beauty. As she exorcized her demons and softened her style, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from. Blige continually reinvented her career by shedding the habits and influences that kept her down and matured into an expressive singer able to put the full power of her voice behind her music. Blige's rank as "the Queen of Hip-Hop Soul" has never been disputable. Each one of the singer's proper studio albums, released across a period that has exceeded two decades, debuted within the Top Ten of the Billboard 200.

Born in the Bronx on January 11, 1971, Blige spent the first few years of her life in Savannah, Georgia before moving with her mother and older sister to the Schlobam housing projects in Yonkers, New York. Her rough life there produced more than a few scars, physical and otherwise, and Blige dropped out of high school during her junior year, instead spending time doing her friends' hair in her mother's apartment and hanging out. When she was at a local mall in White Plains, New York, she recorded herself singing Anita Baker's "Caught Up in the Rapture" into a karaoke machine. The resulting tape was passed by Blige's stepfather to Uptown Records CEO Andre Harrell. Harrell was impressed with Blige's voice and signed her to sing backup for local acts like Father MC. In 1991, however, Sean "Puffy" Combs took Blige under his wing and began working with her on What's the 411?, her debut album. Combs had a heavy hand in What's the 411?, along with producers Dave Hall, Mark Morales, and Mark Rooney, and the stylish touches that they added to Blige's unique vocal style created a stunning album that bridged the gap between R&B and rap in a way that no singer had before. Uptown tried to capitalize on the success of What's the 411? by issuing a remixed version of it a year later, but it was only a modest success creatively and commercially.

Her 1995 follow-up, My Life, again featured Combs' handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter. My Life was full of street pathos and Blige's personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of My Life was also a difficult time professionally for Blige, as she severed her ties with Combs and Uptown, hired Suge Knight as a financial advisor, and signed with MCA. However, she soon won her first (of several) Grammy awards: Best Rap Performance by a Duo or Group for "I'll Be There for You/You're All I Need to Get By," a duet with Method Man.

Released in 1997, Share My World marked the beginning of Blige's creative partnership with Jimmy Jam and Terry Lewis. The album was another hit for Blige and debuted at number one on the Billboard 200. Critics soured somewhat on its more conventional soul sound, but Blige's fans seemed undaunted. By the time her next studio album, Mary, came out in 1999, the fullness and elegance of her new sound seemed more developed, as Blige exuded a classic soul style aided by material from Elton John and Bernie Taupin, Stevie Wonder, and Lauryn Hill. Mary made it obvious that the ghetto-fabulous style and more confrontational aspects of her music were gone, while the emotive power still remained.

That power also helped carry the more modern-sounding 2001 release No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of Blige's songwriting than any of her previous efforts. The Mary J. Blige on No More Drama seemed miles away from the flashy kid on What's the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with P. Diddy, who produced the majority of that year's patchy Love and Life album. The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of Reflections (A Retrospective), The Breakthrough's lead single, "Be Without You," had spent nearly a year on the R&B chart, while the album's fifth single, "Take Me as I Am," had been on the same chart for over four months.

A year later Blige came out with her eighth studio album, Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with Robin Thicke during 2008, Blige began working on Stronger with Each Tear, which was released near the end of the following year and came one spot short of topping the Billboard 200. My Life II...The Journey Continues (Act 1), previewed through the Eric Hudson-produced single "25/8," followed in 2011 with appearances from Beyoncé, Drake, Rick Ross, and Busta Rhymes. Like her previous nine studio albums, it reached gold status. (Her first eight surpassed gold to reach either platinum or multi-platinum status.) Her first holiday album, A Mary Christmas, was released in 2013.

Early in 2014, she linked with Disclosure for an alternate version of the U.K. dance-production duo's single "F for You." A few months later, Blige -- supported by extensive assistance from the-Dream and Christopher "Tricky" Stewart, as well as a few other associates -- provided the soundtrack to the comedy Think Like a Man Too. It entered the Billboard Top 200 at number 30 and also reached the Top Ten on Billboard's R&B/Hip Hop Albums chart. Released on Epic, rather than on her home label, it didn't receive the typical level of promotion for a Blige album and, as a result, sold significantly less than her prior releases.

Inspired by Disclosure and other genre-blurring singer/songwriters and producers who were emerging from the U.K., she recorded her 13th album in London that summer with the likes of Sam Smith, Naughty Boy, and Emeli Sandé, as well as Disclosure once more. The London Sessions, her first album for Capitol, was released that November and placed two singles in the Top Ten of Billboard's Adult R&B chart. In late 2016 and early 2017, Blige released the first singles from her next proper studio album, including the Kanye West collaboration "Love Yourself." The parent full-length Strength of a Woman arrived in April 2017. ~ Stacia Proefrock

New York, NY
January 11, 1971




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