13 Songs

EDITORS’ NOTES

Annie’s sophomore album Don’t Stop (2009) is smart, salacious and confident. The Norwegian dance diva benefits from production input by such studio wizards as Xenomania, Timo Kaukolampi, Paul Epworth and Richard X. Annie’s breathy vocals bring an intimacy to these mostly fast ‘n’ furious tracks, lending her the air of a spunky street gamine rather than an icebound sex goddess. Riding atop brazen, hard-throbbing beats, she dishes out put-downs (“I Don’t Like Your Band,” “My Love Is Better”) and surrenders to desire (“Loco,” “Don’t Stop”) with equal exuberance. Especially potent are the Giorgio Moroder-styled “Songs Remind Me of You” and the marching band-driven “Hey Annie.” To her credit, Annie doesn’t merely satisfy the groove cravings of her fans — “Marie Cherie,” for instance, delves into aural film noir with its creepy lyrics and darkly shimmering backdrop. There’s some shameless kitsch here too (“Heaven and Hell” and “The Breakfast Song”). And Don’t Stop does it all with more imagination that just about any dance-floor project in recent memory.

EDITORS’ NOTES

Annie’s sophomore album Don’t Stop (2009) is smart, salacious and confident. The Norwegian dance diva benefits from production input by such studio wizards as Xenomania, Timo Kaukolampi, Paul Epworth and Richard X. Annie’s breathy vocals bring an intimacy to these mostly fast ‘n’ furious tracks, lending her the air of a spunky street gamine rather than an icebound sex goddess. Riding atop brazen, hard-throbbing beats, she dishes out put-downs (“I Don’t Like Your Band,” “My Love Is Better”) and surrenders to desire (“Loco,” “Don’t Stop”) with equal exuberance. Especially potent are the Giorgio Moroder-styled “Songs Remind Me of You” and the marching band-driven “Hey Annie.” To her credit, Annie doesn’t merely satisfy the groove cravings of her fans — “Marie Cherie,” for instance, delves into aural film noir with its creepy lyrics and darkly shimmering backdrop. There’s some shameless kitsch here too (“Heaven and Hell” and “The Breakfast Song”). And Don’t Stop does it all with more imagination that just about any dance-floor project in recent memory.

TITLE TIME
4:07
3:19
3:57
4:10
3:25
4:05
5:14
4:25
3:09
3:12
3:31
3:22
6:29

About Annie

Norwegian singer Annie (born Anne Lilia Berge-Strand) is as pop as early Madonna or late Kylie Minogue, yet her hipster credibility puts her just as close to Saint Etienne or Miss Kittin. She first made an impression in 1999 with a juicy Madonna-sampling single called "The Greatest Hit," produced by Tore Andreas Kroknes (aka Erot); its impact wasn't immediate, but through several releases, a few keen club DJs, and word of mouth, it became something of an underground smash. The duo, who became romantically involved as well, recorded another single ("I Will Get On"), but Kroknes' life was taken (at the age of 23) by a heart defect in 2001.

Annie eventually picked herself up and became more involved in Bergen, Norway's club scene than ever. She made some connections and wound up recording a number of tracks with Timo Kaukolampi of Op:L Bastards. The two continued to record some tracks for Annie's own album. The results, along with a handful of productions from fellow Norwegians Röyksopp and England's Richard X, formed the basis of Anniemal. Originally released in 2004, the album was picked up for release in the U.S. in June of the following year. She contributed to K7's DJ-Kicks series in late October of the same year. A subsequent deal with Island fell through, though the alliance went as far as a first single and video, "I Know UR Girlfriend Hates Me." Annie obtained the masters and landed on the Smalltown Supersound label, which issued the singer's second studio album, Don't Stop, in November 2009. Its track list was significantly different from that of the original version that had leaked on the Internet. ~ Andy Kellman

  • ORIGIN
    Norway
  • BORN
    Nov 21, 1977

Top Songs by Annie

Top Albums by Annie

Listeners Also Played