Opening the iTunes Store.If iTunes doesn't open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Jukebox (Deluxe Edition) by Cat Power, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Jukebox (Deluxe Edition)

Open iTunes to preview, buy, and download music.

iTunes Review

Cat Power’s second collection of covers is a notably more confident affair. Recording The Greatest in Memphis with veteran soul music session musicians apparently taught Cat Power (aka Chan Marshall) a thing or two about rhythm, as she imbues her own “Metal Heart” with a previously unforeseen funk, skates over Frank Sinatra’s “New York, New York” with a big city attitude that was nowhere to be found on her previous solo work, where the emphasis was on the quiet spaces and dark corners and even deliberate musical ineptness, with amateurism favored over seasoned professionalism. There are still plenty of private, brooding moments here. The Highwaymen’s “Silver Stallion” is kept an acoustic blues. James Brown’s “Lost Someone” drifts over with a sweet reverb that recalls an empty nightclub in the wee hours of morning. Joni Mitchell’s “Blue” unfurls with its romantic tinge intact. But elsewhere Marshall’s a swinger, throwing real authority behind George Jackson’s ‘Aretha, Sing One For Me,” her backing musicians providing the perfect organ-horn support. Marshall’s growing up. The wallflower takes centerstage.

Customer Reviews

She's Gained Some, And Lost Some.

Cat Power is extraordinary, and truly does not sound like any other. This record shows that she's grown as a vocalist, but it also marks the decline of her fresh approach to interpretation. Where as the Covers Record was minimal, naked, and melancholy, this record is funky, soulful, and slick. The cover bears it all. Who would've thought five years ago that Cat Power would've been a model for Chanel? The girl who used to garment her album sleeves with snapshots taken from crappy cameras and paintings of vases with flowers. Those albums had a certain feeling of intamacy and privateness that few artists could barely comprehend. She sounded like one of your good best friends that revealed every hidden thought to you, with almost freightening relentlessness. As sad and as pained as she may have been, there was a certain light to her songs that gave insight and power to the listener. It seems lately those qualities of intamacy have been replaced with the slick, soulful voice that she's retained over her recent years. It's only on songs like "Silver Stallion" that she even hints back to her minimal roots. However, she does execute some songs well. "New York" has a great beat, however I was disappointed at the curtail. At times I thought this record was top heavy. Some songs seem to be strained too much, such as "Naked, If I Want To". Not to say that people won't like this, some people may prefer who newer sound as compared to her older one. It's definitely more mainstream and glossy. However, being the oldtime Cat Power fan myself, I have to say that she could've evolved in a way that would've complimented her old style with the newer.

Its alright for now

I will have to say that Cat Power is one of my favorites, I think "You are free" is one of the best albums ever made by any musician. Last year I heard she was going to follow up "The Greatest" with an album called "Sun" and I was very excited, but then all of a sudden they said that she was releasing another album of covers first. Now after waiting and buying this album I just have to ask What is the point? seems to be kinda a waste of time. These songs are good but nothing out of this world. They are lacking vitality and creativity....a large part of what I like about her music. The music sounds much too dated for me....kinda like if a wedding band were performing in a bluesy, smokey honkeytonk. I would enjoy it if I was there...but it wouldnt blow me away. I think she is one of the great talents....but I really hope Chan has gotten this sound out of her system and comes out with something sonically beyond what anyone else is doing. This is just a tease and I will wait for her next original masterpiece!!!!!

A Solid, Cohesive Work from a Master.

One of the many joys of listening to a Cat Power album is borne out of her developed sound. This album, I feel, will not dissapoint those fans who appreciate Chan Marshall's generally sparse arrangements, but it also pays tribute to the roots of her musical taste, so anyone enamored of Nina Simone, etc. will also be pleased. This album just fits together wonderfully. I was glad to find a perfected version of "Metal Heart" on thsi album, that truly gives the song a strong personality. This is for fans of her Memphis Rythm Band work and her first solo albums, alike.


Born: January 21, 1972 in Atlanta, GA

Genre: Alternative

Years Active: '90s, '00s, '10s

Penning songs that are offbeat in narrative, but literate and emotionally revealing, and performing them in a soulful, idiosyncratic style that reveals both strength and fragility, Cat Power was one of the most acclaimed singer/songwriters to emerge from the 1990s indie rock scene, a one of a kind artist unafraid to reveal her inner self in her music and follow her muse in a variety of different directions. Cat Power is the stage name of Chan (pronounced "Shawn") Marshall, born Charlyn Marie Marshall...
Full Bio