"No One Can Ever Know" by The Twilight Sad on iTunes

10 Songs

EDITORS’ NOTES

Released more than two years after its last studio album, No One Can Ever Know finds the Scottish indie rock band bypassing its usual wall of sound for a sparser attack, influenced by bands such as Can, Cabaret Voltaire, Public Image Ltd., and Liars. Had Joy Division been Scottish, it might have sounded a bit like The Twilight Sad here. It's a mix of Unknown Pleasures and Closer brought to a cathartic head. On "Dead City," analog synths meet an anonymous ethereal ambience to set the stage for James Graham's existential yet committed vocals. "Sick" suggests a Scottish folk song being transported to Manchester for the post-punk explosion. "Don't Move" uses guitars to strike while the iron is hot. "Don't Look at Me" warms up the sound with more generous backing vocals providing emotional support. Producer Andrew Weatherall gives the band the proper space and a full sonic spectrum to make this a positive step in its creative direction.

EDITORS’ NOTES

Released more than two years after its last studio album, No One Can Ever Know finds the Scottish indie rock band bypassing its usual wall of sound for a sparser attack, influenced by bands such as Can, Cabaret Voltaire, Public Image Ltd., and Liars. Had Joy Division been Scottish, it might have sounded a bit like The Twilight Sad here. It's a mix of Unknown Pleasures and Closer brought to a cathartic head. On "Dead City," analog synths meet an anonymous ethereal ambience to set the stage for James Graham's existential yet committed vocals. "Sick" suggests a Scottish folk song being transported to Manchester for the post-punk explosion. "Don't Move" uses guitars to strike while the iron is hot. "Don't Look at Me" warms up the sound with more generous backing vocals providing emotional support. Producer Andrew Weatherall gives the band the proper space and a full sonic spectrum to make this a positive step in its creative direction.

TITLE TIME PRICE
4:26 $0.99
6:25 $0.99
4:23 $0.99
4:20 $0.99
5:18 $0.99
4:09 $0.99
5:11 $0.99
4:39 $0.99
5:53 $0.99
3:32 $0.99

Customer Reviews

4.7 out of 5

28 Ratings

Excellent!!

Onscene,

A slight new direction in sound but excellent!!

Thank you, Twilight Sad

Hurley, dude,

The Shoegaze powerhouse has returned. If you loved "Forget the Night Ahead" get this album.

About The Twilight Sad

Distinguished by James Graham's heavy Scottish accent, an accordion, and oodles of noise, the Twilight Sad rose from Glasgow, Scotland, in late 2003 with the lineup of Graham (vocals), Andy MacFarlane (guitar, accordion), Craig Orzel (bass), and Mark Devine (drums). After playing a couple of shows in Glasgow that featured extensive pieces of music using an abundance of instruments, they holed up in the studio to write new material. In September 2005, with four new songs in hand, they sent a demo to Fat Cat. The label ended up putting them on the bill of a showcase with the Mutts, Charlottefield, the Rank Deluxe, and Frightened Rabbit. The Twilight Sad's debut EP was issued in the U.S. in November 2006; the full-length Fourteen Autumns & Fifteen Winters arrived the following April. The 2008 EP Here, It Never Snowed. Afterwards It Did featured reworkings of several of the album's songs with simpler, more acoustic arrangements, plus a cover of Daniel Johnston's "Some Things Last a Long Time." Killed My Parents and Hit the Road, which featured more covers, including songs by the Smiths and Joy Division among its previously unreleased tracks, also arrived that year.

The Twilight Sad continued to tour as they worked on their second album, playing dates in the U.S. with Mogwai as well as appearing in the U.K. Tracks from the album began appearing online in spring 2009, with "Reflection from the Television" premiering on Pitchfork's website that May; the single "I Became a Prostitute" arrived that August. Forget the Night Ahead, which had a darker, more streamlined approach than the band's earlier work and was co-produced by guitarist McFarlane and the Delgados' Paul Savage, was released in the fall. By February 2012, the Twilight Sad strayed from their shoegaze Wall of Sound leanings to offer No One Can Ever Know, which adopted a cold, aggressive, industrial-influenced approach with help from influential British producer Andrew Weatherall (Primal Scream). The band went further in this electronic direction with a remixes collection featuring Com Truise, Liars, and Optimo that was released late that year.

The Twilight Sad weathered the departure of keyboardist Martin Doherty (who left to pursue his other group, Chvrches), recording 2014's Nobody Wants to Be Here and Nobody Wants to Leave at Mogwai's Castle of Doom studio. Mixed by Peter Katis -- who also worked on Fourteen Autumns & Fifteen Winters -- the album reflected all of the past and present aspects of the Twilight Sad's sound. Late that year, the band released the limited-edition Òran Mór Session EP, which featured stripped-down versions of songs from Nobody Wants to Be Here and Nobody Wants to Leave as well as covers. Initially available only at the band's shows, the EP was given wider release in October 2015 with extra tracks. ~ Kenyon Hopkin

  • ORIGIN
    Glasgow, Scotland
  • FORMED
    2003

Top Songs

Top Albums

Listeners Also Bought