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Customer Reviews

Good Balance

This is a good album. There's a good balance between hard rock songs and slower songs. The slower, thoughtful songs ("Sour Girl," "Glide," and "I Got You") are great.


Down and Sour Girl are the best songs.

R.I.P. Scott Weiland

I'm writing this review the morning of December 4, 2015 after just reading of Scott Weiland's death. Scott, along with STP, was one of my favorite artists, and I'll be listening to this album today as I remember him. In my estimation, this album was their finest, most cohesive effort. Critically, it was well-received both inside the industry and out. John Mellencamp called this album "the sound of a band overachieving." He's right. There's a melancholy that permeates the slower songs on this album that's hard to shake. Songs like Atlanta, and Sour Girl are among my all-time favorites. I could go on and on, but I'd just like to say that I am forever thankful to Scott, and the contribution his music has made to my life. When I think of him, and STP, this is the album I'll think of. God bless Scott. May you finally be at peace.


Formed: 1992 in Los Angeles, CA

Genre: Rock

Years Active: '90s, '00s, '10s

Stone Temple Pilots were able to turn alternative rock into stadium rock; naturally, they became the most critically despised band of their era. Accused by many critics of being nothing more than ripoff artists who pilfered from Pearl Jam, Soundgarden, and Alice in Chains, the bandmates nevertheless became major stars in 1993. And the influence of those bands was apparent in their music, although Stone Temple Pilots did manage to change things around a bit. STP were more concerned with tight song...
Full Bio
No. 4, Stone Temple Pilots
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