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Hope Against Hope

Band of Susans

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Album Review

Drawing on the influence of the early-'80s New York downtown art rock scene, Band of Susans' three guitarists construct a thundering wall of guitar worthy of the Jesus and Mary Chain minus distortion. While sharing some of the same influences (Glenn Branca, Rhys Chatham) as Sonic Youth, the Susans' guitar structures never stray into the dissonant territory staked out by Thurston Moore and company. The result is a more melodic creature, unfortunately lacking in character. While the loud wash of guitar is intriguing and sometimes engaging, it too often seems a bit directionless, without a great deal of dynamics or thrust. Part of the problem rests with a rhythm section that is no more than solid, which also goes for Poss' singing. There are moments, however, that scream with promise, such as the title track (reworked from the debut EP), which is notably tighter and more propulsive than most of the other tracks, the rumble of ringing guitars thundering out of the speakers. "All the Wrong Reasons" is another winner, taking a slower, bittersweet tact that meshes the three guitars in a tender ballad featuring a dreamy, somnambulant pulse consistent with the slower Velvet Underground work. While the elements are there, Band of Susans hasn't got the flavor quite right yet.

Biography

Formed: 1986 in New York, NY

Genre: Alternative

Years Active: '80s, '90s

Favoring chaotic squalls of guitar noise and avant textures over the dynamics of conventional songcraft, the New York-based Band of Susans formed in 1986 around the core duo of singers/songwriters Robert Poss and Susan Stenger, longtime friends who reunited only after pursuing dramatically different musical paths: while Poss became a fixture on the N.Y.C. punk scene in the Clash-inspired Tot Rocket before joing Rhys Chatham's guitar ensemble, Stenger relocated to Prague, where she studied the theories...
Full Bio
Hope Against Hope, Band of Susans
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