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Album Review

John Patitucci's creativity soared on One More Angel, an introspective and deeply personal effort that found him using music to reflect on events in his life (including a tragic miscarriage his wife Sashi had suffered). One More Angel was a darn tough act to follow, but the bassist provided a respectable follow-up with the very different Now. This time, Patitucci emphasizes the cerebral and the angular, and the native New Yorker (who plays acoustic bass on seven selections and electric bass on three) does it with the help of a pianoless team that includes Michael Brecker or Chris Potter on tenor sax, John Scofield on guitar, and Bill Stewart on drums. Patitucci clearly enjoys a strong rapport with his sidemen on intellectual originals like "Espresso," "Out of the Mouths of Babes," and "Forgotten But Not Gone," as well as interpretations of McCoy Tyner's "Search for Peace" and John Coltrane's "Giant Steps" (an electric bass/drums duet with Stewart). Overall, Now isn't as accessible or as consistently lyrical as One More Angel, Mistura Fina, or Heart of the Bass — this is a complex, cerebral offering that demands more of the listener than any of Patitucci's previous releases. But those who don't shy away from Now because of its complexity will find that the album has a lot going for it.


Born: December 22, 1959 in Brooklyn, NY

Genre: Jazz

Years Active: '90s, '00s

One of the top bassists of the 1990s (on both acoustic and electric), Patitucci's speed, very clear tone, and versatility are quite impressive. He started playing bass when he was 11, grew up in Northern California, and in 1978 moved south near Los Angeles. He played with Gap Mangione (1979) while going to college, and during 1982-1985 worked in Los Angeles with Tom Scott, Robben Ford, Stan Getz, Larry Carlton, Dave Grusin, Ernie Watts, Freddie Hubbard, and others, in addition to becoming a studio...
Full Bio
Now, John Patitucci
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  • $9.99
  • Genres: Jazz, Music
  • Released: Jan 01, 1998

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