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Minor Move

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Album Review

Tina Brooks' first session for Blue Note was recorded in March of 1958, a month after he appeared on Jimmy Smith's sessions for The Sermon and House Party, but the music wasn't released at the time. The sessions remained unreleased for years, eventually appearing as Minor Move in Japan during the '80s. Listening to Minor Move, it's hard to see why the record was shelved. Not only does it feature Brooks in robust form, but he's supported by pianist Sonny Clark, trumpeter Lee Morgan, bassist Doug Watkins, and drummer Art Blakey — a first-rate lineup if there ever was one. Stylistically, the music here is no great surprise — it's straight-ahead, driving hard bop — but the performances are exceptional. Brooks has no problem keeping up with Morgan and Clark, who both have more than their fair share of fine moments here. He has a rich, full-bodied tone and clever phrasing, keeping the music fresh on standards like "The Way You Look Tonight" and "Everything Happens to Me." His original compositions "Nutville" and "Minor Move" are equally impressive, offering the entire band opportunities to stretch out and improvise vigorously. It is true that Minor Move is right within the hard bop tradition, but fans of that style will find much to treasure here.

Biography

Born: June 7, 1932 in Fayetteville, NC

Genre: Jazz

Years Active: '60s

Tina Brooks had a short-lived career during the heyday of hard bop and didn't record for the last 12 years of his life. Nonetheless, his own records and his sessions with Freddie Hubbard, Jackie McLean, Freddie Redd, Jimmy Smith, and Kenny Burrell leave the impression that he was on his way to becoming a tenor giant when he was overcome by health problems due to drug addiction. Brooks did session work with both Amos Milburn and Lionel Hampton, but the key to his own artistry is on the Blue Note label....
Full Bio
Minor Move, Tina Brooks
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  • $9.99
  • Genres: Jazz, Music, Hard Bop
  • Released: Mar 16, 1958

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