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Swim (Bonus Track Version)

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Editors’ Notes

Dan Snaith spent four albums teasing out the dimensions of his sound, weaving oddball electronic beats into scraps of '60s psych. Then, on Swim, magic happened. The rhythms are looser and leaner; club elements come to the fore without sacrificing any of the warmth of his warbling synths and sampled bells. "Odessa" and "Lalibela" feel like shuffling through autumn leaves on a packed dance floor; "Bowls" gives techno a spine-tingling acoustic makeover. Throughout, Snaith's cool falsetto is as welcoming as an old friend.

Customer Reviews

WOW, Thank the Weed Gods.

This is my first Caribou experience, and I've been blown away. I bought the album because of the 4/20 release and the trippy cover. The music fits the cover and the date, I think I'm falling in love.

If you don't like this...

You just don't know what's good. This is brilliant. A grower, but then it's completely majestic.

Happy day.

I haven't even finished the album, but it's already a great listen...Kind of a next logical step for Caribou. Also, for experimental dance music, it's REALLY well mastered. Dynamic and colorful.

Thanks!

Biography

Genre: Electronic

Years Active: '00s, '10s

Dan Snaith's early recordings as Manitoba underlined his status among the chattering electronic classes as one of the brightest talents to emerge during the early 2000s. Having already proved himself master of the sublime with his 2000 debut EP, People Eating Fruit, the Canadian's subsequent Paul's Birthday EP opened him out even further. After moving to London, he released an excellent second album, Up in Flames (2003), that saw him become a darling of critics. One year later, however, Snaith was...
Full Bio