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Old Ideas

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Reseña de álbum

Leonard Cohen, has always possessed a droll, self-effacing sense of humor. He expresses it on the opening track of Old Ideas in the third person: "I love to speak with Leonard/He's a sportsman and a shepherd/He's a lazy bastard/Living in a suit...." It's just of the typical Cohen topical standards on offer here: spiritual yearning, struggle, love, loss, lust, and mortality are all in abundance, offered with the poet's insight. He is surrounded by friends on Old Ideas. Patrick Leonard, Dino Soldo, and Anjani Thomas get production and co-writing credits. Sharon Robinson, Dana Glover, Jennifer Warnes, and the Webb Sisters all appear on backing vocals. Cohen mixes up the musical forms more than he has in the past. The loungey electronic keyboards on "Going Home" are balanced by Glover's female backing chorale, an acoustic piano, and Bela Santelli's violin. The sly, minor-key Gypsy jazz groove on "Amen" is played by a banjo, violin, and Cohen's guitar; it tempers his searing lyric, which posits the notion that the totality of love, divine or otherwise, can only truly be achieved when the object of desire has seen his worst, metaphorically and literally. "Show Me the Place" finds Cohen once again adopting the Protestant hymnal as directly as he did on "Hallelujah" — albeit more quietly — and wedding it to his simple, direct melodic sensibility. The song is a prayer, not for redemption, but to enter the cloud of spiritual unknowing before his demise, to discover the terrain where suffering itself is birthed. Warnes' gorgeous backing vocals, piano, guitar, and violin accompany his beneath-the-basement, cracked-leather baritone in delivering the song with conviction and vulnerability. Cohen's live band joins him on "Darkness," where he evokes, musically, his love of both late-'40s R&B and gospel, even as he frankly discusses the inevitable entrance into the big goodnight. He also revisits the spartan sound of his early career with "Crazy to Love You," written with Thomas, on which his only accompaniment is his acoustic guitar. Here, he wrestles with an unwanted but nonetheless nagging attachment to erotic desire. "Come Healing" is another gospel-ized hymn, with Glover's vocals, church organ, violin, and Cohen's nearly croaking vocal; he sings with reverence: "O see the darkness yielding/That tore the light apart/Come healing of the reason/Come healing of the heart...." "Banjo" is a country-blues that gives the songwriter a chance to indulge his love for Hank Williams while reflecting on Hurricane Katrina as Soldo's New Orleans-inspired horns add a haunted effect to the tune. Cohen speaks not only for himself, but the ghosts of restless spirits wandering in his vision. "Lullabye"'s lyrics, accompanied by a high lonesome harmonica and a whispering jazz organ to counterintuitively offer an attempt at comfort to the disconsolate. "Different Sides," with its slow, loopy groove, is a basic shuffle that addresses unresolved conflict in lust and law (spiritual and carnal), bringing Old Ideas to a close with an ironic tension. Here Cohen meets conflict, tension and his other well-worn topics head-on. He doesn't sound as wearyt as he did on Dear Heather: He accepts them for what they are—all aspects of the same thing—the contradictory nature of life itself.

Reseñas de clientes

Still Golden

The man with the Golden voice once again blesses us by allowing us a small glimpse into his heart and mind. Old age has taken the once abstract poetry of leonard and refined to to be concise and clear. After he is gone, there will never be another Leonard Cohen which can not be said about many other artist. His latest album brings back more stringed instruments instead of the keyboard that dominated his last several albums. From start to finish, it sounds like your grandpa teaching theology, that is of course; if your grandpa happens to be the coolest old guy around.

The voice, the lyrics & the overall songs and sounds - remarkable

I'll let others dive into the deep and details explaining why this new offering from Leonard Cohen is great. I'll only say that listening to this new album makes me very happy...I love it and love that I can still be moved by new music.

"Vengance Belongs To The Lord!"

.."I'm Old; And The Mirrors Don't Lie!"..Oh; We are all Crazy to Love you; Leonard Cohen!-"Old Ideas" was so worth waiting for; After many months of "Live In Concert" /Greatest Hits/World Traveling/Beat Roadshow!-We can all chant "Hallelujah!" for some brand-new Tone Poems from the Montreal Man with the "Gift Of The Golden Voice!"-Stripped down to the bare Meter & Rhyme; Mr. Cohen digs deep into his familiar bag of tricks and comes up with 10 "Different Sides" that; I believe both the newly initiated and stalwart fans alike are going say; Quoting another Bard; (Van Morrison): "Did Ye Get Healed?"-Amen; Brother Leonard; Amen!!..by Grimmbo.

Biografía

Nacido/a: Montreal, Quebec, Canada, 21 de septiembre de 1934

Género: Rock

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s, '10s

One of the most fascinating and enigmatic — if not the most successful — singer/songwriters of the late '60s, Leonard Cohen has retained an audience across five decades of music-making interrupted by various digressions into personal and creative exploration, all of which have only added to the mystique surrounding him. Second only to Bob Dylan (and perhaps Paul Simon), he commands the attention of critics and younger musicians more firmly than any other musical figure from the '60s who...
Biografía completa