Ratings and Reviews
Utada continues to evolve beautifully while still throwing back to her past sound
大空で抱きしめて (Oozora de Dakishimete) carries a similar poppy essence that her Utada's 2001 album DISTANCE had while carrying the same melodic maturity present in her 2016 album Fantôme.
Utada continues to evolve beautifully while still throwing back to her past sound, making this a single all Utada fans should listen to.
+。:.ﾟ٩(๑＞ ͜ ＜๑)۶:.｡+ﾟ
What more can we expect
Hikaru is back at it again! With this record I feel like she gave us the best of both worlds with a perfectly sculpted pop song while still being able to infuse her essences...I'm loving this new Era! #COMEBACKSEASON
About Hikaru Utada
She dominates the charts in Japan whenever she releases a single or album, but to call her a J-pop singer ignores Utada's American roots and her desire to break all the rules of the genre. Born January 19, 1983, in New York City to a traditional Japanese-style singer mother and a musician/producer father, Hikaru Utada grew up in the recording studio. Her father's production job bounced her between New York City and Tokyo, with the only constant being naps and homework in the studio. She was bilingual at an early age and soon came to understand both American and Japanese cultures.
She had composed and recorded her first Japanese-language song by the age of 11 and her first album in English by 13. What stood out to the few who heard the album was what an accomplished composer Utada was. A Toshiba-EMI executive approached the singer to see if she could write her pop songs in Japanese. She could, of course, and her Japanese-language debut album, First Love, hit number one on the Japanese charts during its first week of release, breaking the record for first-week sales of a debut album, and has sold nine million copies since its release in 1999.
One Japanese-language platinum-selling album after another followed and the Japanese press took note of Utada's unique style, influenced by the alternative rock from America. Academics kept her away from doing many interviews, and her mystique grew as a result. In 2004 she announced she was moving to the Island-Universal Music Japan label and recording an English-language album. Her single "Exodus 04" became a heartbreaker for her solid fan base when her lyrics were taken as a goodbye to Japan.
The album Exodus was released in Japan on September 8, 2004, and Utada now held the record for largest-ever one-day shipment of an English-language album by doubling Mariah Carey's previous record of 500,000. The album mixed wistful pop and sparkling dance music and featured producer Timbaland and Mars Volta drummer Jon Theodore. American J-pop fans were aware of her for years, but Utada got her first mainstream U.S. exposure when the "Devil Inside" single appeared in September 2004 with Rjd2, the Scumfrog, and Richard Vission handling the remixes. Exodus received its American release on Island in October of the same year. In 2007 EMI announced that Utada had set a record for a Japanese recording artist with combined sales of 7.7 million across all formats (CDs, digital downloads, ringtones, etc.). The Japanese language album Heart Station in 2009 with the English album This Is the One following. She embarked on an international tour, which included stops in the United States and England. When the trek concluded, Utada shocked fans when she announced an indefinite hiatus, which was preceded by a media blitz in Japan that included the release of a singles collection and farewell concert performances. During her time away from the spotlight, she lost her mother, married, and gave birth to a son.
Utada made an unexpected return to music in 2016 with the release of her sixth Japanese-language album -- and first in almost a decade -- Fantome. The comeback topped multiple album charts in Japan and South Korea, as well as Billboard's World Albums and Japanese Albums charts. ~ David Jeffries
- January 19, 1983