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Pagans in Vegas

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iTunes Review

These Canadians dress up their glitzy alt-rock with an extra coat of shimmery New Wave, tracks flashing like a relentless strobe light as Emily Haines purrs "I want it all." Synths sizzle and squeal through "Fortunes" and "The Shade," before rippling into smooth chillwave on "Celebrate." The velvety guitar floating under "For Kicks" hints at The Cure, while Depeche Mode's dark dynamism haunts "Too Bad, So Sad." It all ends in a luscious instrumental, with rich organ strains reaching synth-pop nirvana.

Customer Reviews

Metric's Return!

Love these new songs and can't help for some reason strutting all over town in time to them

Best music of their career

If you are skeptical, take this advice from a Metric fan who has been with them from the beginning and download now. This is the best Metric album ever. In fact, it is one of the best albums I've ever heard and I've only listened to it 1 time through. I am excited to listen again and again. Whether you love them or have never heard of them, you won't be disappointed.

Amazing album!!

Diverse and beautiful tracks! This album is an amazing work of art! Have it on repeat on an extended road-trip. Can't get enough!

Biography

Formed: 1998 in Toronto, Ontario, Canada

Genre: Alternative

Years Active: '00s, '10s

Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. Metric's story began in 1998, when vocalist/keyboardist Emily Haines met guitarist James Shaw in Toronto, Canada. Although born in New Delhi, Haines -- the daughter of Paul Haines, a Canadian-American poet best known for his...
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Pagans in Vegas, Metric
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