18 Songs

EDITORS’ NOTES

Where Mick Ronson’s 1974 debut album mixed originally penned rock songs with glammy covers of some of his favorite tunes, 1975’s Play Don’t Worry tips the scales toward the latter. It starts with Ronson’s own “Billy Porter,” a jaunty pop song that plays like an outtake from David Bowie’s Hunky Dory. He follows with a scorching-hot rendition of Pure Prairie League’s “Angel No. 9,” wherein the country-rock twang is replaced with heavy-footed wah-wah guitar and Ronson's vocals, which show less Bowie influence. Fans of The Velvet Underground will want to skip straight to Ronson’s hard-driving take on “White Light/White Heat,” the backing track of which was harvested from Bowie’s Pin Ups sessions. The title track is a groovy number that boasts Ronson’s most versatile guitar work here, seamlessly segueing from acoustic strumming to shimmering glam-rock leads and Thin Lizzy–esque guitarmonies. Ronson also gives Little Richard’s “The Girl Can’t Help It” some gritty distortion. Of the nine bonus tracks, his cover of Bowie’s “Stone Love (Soul Love)” is a particular standout.

EDITORS’ NOTES

Where Mick Ronson’s 1974 debut album mixed originally penned rock songs with glammy covers of some of his favorite tunes, 1975’s Play Don’t Worry tips the scales toward the latter. It starts with Ronson’s own “Billy Porter,” a jaunty pop song that plays like an outtake from David Bowie’s Hunky Dory. He follows with a scorching-hot rendition of Pure Prairie League’s “Angel No. 9,” wherein the country-rock twang is replaced with heavy-footed wah-wah guitar and Ronson's vocals, which show less Bowie influence. Fans of The Velvet Underground will want to skip straight to Ronson’s hard-driving take on “White Light/White Heat,” the backing track of which was harvested from Bowie’s Pin Ups sessions. The title track is a groovy number that boasts Ronson’s most versatile guitar work here, seamlessly segueing from acoustic strumming to shimmering glam-rock leads and Thin Lizzy–esque guitarmonies. Ronson also gives Little Richard’s “The Girl Can’t Help It” some gritty distortion. Of the nine bonus tracks, his cover of Bowie’s “Stone Love (Soul Love)” is a particular standout.

TITLE TIME
3:34
5:39
4:29
4:12
3:09
4:29
2:59
5:15
3:32
2:42
3:30
4:55
4:17
3:48
3:52
6:04
6:25
3:31

About Mick Ronson

Guitarist, arranger, songwriter, producer, and perennial sideman Mick Ronson made his mark during glam rock's early-'70s heyday but worked consistently with frequent collaborators David Bowie and Ian Hunter until his death in 1993. From 1967-1968 he played with a hometown garage rock group, the Rats, in Hull. In 1969, he was discovered by fledgling folksinger and producer Mike Chapman, who asked him to join his recording band. From there he went on to collaborate with Bowie, beginning with Space Oddity in 1969 and lasting through 1973's Pin-Ups. He arranged "Changes," among other songs on Hunky Dory (1972), and was Bowie's flamboyant guitarist in the Spiders from Mars during the Rise and Fall of Ziggy Stardust (1972) album and tours. It has remained a mystery as to how much of Bowie's material Ronson wrote in exchange for "arrangement" credits, but his stamp is on some important records of the era: he co-produced Lou Reed's Transformer (RCA, 1972) with Bowie and briefly joined Mott the Hoople after working as an arranger on All the Young Dudes (1972). As glam rock faded, Ronson continued to work with Hunter in the Hunter Ronson Band, and as a songwriter, guitarist, and producer on Hunter's solo work.

He recorded two solo albums for Main Man, Slaughter on 10th Avenue (1974) and Play Don't Worry (1975). His identifiable wah-wah sound straddled genres outside his beloved glam and hard rock, from Bob Dylan's Rolling Thunder Revue to Morrissey's Your Arsenal (1992). Ronson consistently worked with divergent artists -- from Roger McGuinn and David Johansen to John Mellencamp ("Jack and Diane"). He and Hunter recorded YUI Orta in 1989 for Mercury, and in 1990 Ronson was diagnosed with cancer. He was reunited with Bowie for Black Tie White Noise (1993) and that same year appeared at a Freddie Mercury tribute concert with Hunter and Bowie. He made one final record with some help from his friends Hunter, Bowie, Chrissie Hynde, and Mellencamp, Heaven 'n Hull (Epic), which was released posthumously in 1994. Just Like This, a two-disc collection of unreleased material, followed in 1999, and Showtime, a collection of live material, arrived the next year. ~ Denise Sullivan

  • ORIGIN
    Hull, Yorkshire, England
  • GENRE
    Rock
  • BORN
    May 26, 1946

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