15 Songs

EDITORS’ NOTES

The feelings of isolation and disenchantment Scott Hutchison suffered after moving from Glasgow to L.A. two years ago ring through his band’s fifth album. Co-produced by The National’s Aaron Dessner–who knows a thing or two about gently anthemic, adventurously textured alt-rock–Painting of a Panic Attack frames Hutchison’s anxieties within stately tapestries of soaring melodies, staccato rhythms, jagged riffs, and electronic flourishes. Venturing into shoegazing’s fluting hypnotics, the sweet sorrow of “Get Out” encapsulates the restraint that ensures everything here is emotionally charged without being overdramatic.

EDITORS’ NOTES

The feelings of isolation and disenchantment Scott Hutchison suffered after moving from Glasgow to L.A. two years ago ring through his band’s fifth album. Co-produced by The National’s Aaron Dessner–who knows a thing or two about gently anthemic, adventurously textured alt-rock–Painting of a Panic Attack frames Hutchison’s anxieties within stately tapestries of soaring melodies, staccato rhythms, jagged riffs, and electronic flourishes. Venturing into shoegazing’s fluting hypnotics, the sweet sorrow of “Get Out” encapsulates the restraint that ensures everything here is emotionally charged without being overdramatic.

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Customer Reviews

5 out of 5

68 Ratings

A Step Up from a Low Point

*rrrawrrr*,

This album sounds a bit better than Pedestrian Verse, but just a bit. I'm sure having the talent of The National on production helped, but I can just hear the cynicism, major label input, and commercialization ringing out from these tracks.

It makes me really sad, because prior to signing to Warner, I liked every release these guys did more than their last. The Winter of Mixed Drinks is one of my all time favorite albums, both lyrically and musically. Sadly, that spark is probably gone for good.

They used to be a crazy experimental, heavy hitting indie band with folk roots and cutting, vicious lyrics. Now they're just ready to take their cash and their place in the alt radio airwaves.

Holy crap.

Rolled off Head,

If this song is any indication of the rest of the album. I can’t.
I love this band.

About Frightened Rabbit

Playing clever but purposefully naïve pop in the manner of the Vaselines, the Twilight Sad, and the Clean, Frightened Rabbit sound a good bit bolder than their moniker would suggest, though it suits their lively but nervous musical personality. Frightened Rabbit was founded in Glasgow, Scotland, in 2004, when guitarist Scott Hutchison and his brother Grant, a percussionist who -- like his sibling -- prefers to keep his last name a secret, began recording demos of songs they had written. Encouraged by friends and family, the brothers added a second guitarist, their friend Billy, and the trio began making the rounds of Glasgow's pubs and music venues. Slowly but surely gaining a reputation for their music, Frightened Rabbit began work on their first album, initially planning to record at the home studio where they'd done their original demos but eventually opting to record at Glasgow's Diving Bell Studio with Marcus Mackay instead.

The band released Sing the Greys through their own label, Hits the Fan Records, in mid-2006. Reviews were enthusiastic, and Universal picked up the disc for distribution in the U.K. and the U.S. through the independent label Fat Cat. The group's reputation enjoyed a considerable boost in America after they played a well-received showcase at the 2007 South by Southwest Music Conference in Austin, Texas, and the U.S. release of Sing the Greys only increased Frightened Rabbit's popularity. The band's sophomore release, Midnight Organ Flight, arrived in April 2008. Keyboard player Andy Monaghan was added to the lineup shortly before the release of the album. The live album Quietly Now!, also known as Liver! Lung! FR!, appeared in 2009; meanwhile the band was working on its third studio album, The Winter of Mixed Drinks, which introduced fifth bandmember Gordon Skene. A lush, uplifting set of songs, The Winter of Mixed Drinks arrived early in 2010. A Frightened Rabbit EP was released in July 2011 and was only available on their subsequent tour (the band later made the EP available for their newsletter subscribers and as a limited 7”). In preparation for their fourth album, they released the EP State Hospital in September 2012, featuring a guest appearance by Aidan Moffat. The first release through Atlantic Records -- the major label the band left Fat Cat for in 2010 -- the EP harked back to the lyrical prowess of their earlier material, which proved to be a taster for Pedestrian Verse, the full-length that arrived in February 2013. Produced by Leo Abrahams, the album was a triumph, full of affecting, often anthemic material.

It was also their first album written fully collaboratively, the others having been primarily the work of frontman Hutchison. While enjoying this new creative process, to the extent that he stated he would "never [again] write a Frightened Rabbit record in the way I used to," he also wanted to continue writing solo, and to this end he created the Owl John project, releasing an eponymous album in 2014. Monaghan and touring guitarist Simon Liddell helped him out with the recording. Later that year, Skene left the band over musical differences and was permanently replaced by Liddell. In 2015, they decamped to New York to record their second album for Atlantic, with the National's Aaron Dessner producing. Entitled Painting of a Panic Attack, the album saw the band continue with the collaborative process they had employed on The Winter... Featuring the elegiac single "Death Dream," it was scheduled for release in April 2016. ~ Mark Deming

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