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Residente o Vísitante

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Album Review

Around the time the reggaeton gold rush of 2003-2005 was running dry, and a great many critics were eager to write off the style as a next-big-thing phenomenon that burned itself out, along came Calle 13. The Puerto Rican duo was a revelation: a reggaeton act whose appeal extended beyond clubs and mixtapes, one whose music was as engaging intellectually as it was sonically. Granted, Calle 13 was a reggaeton act that wasn't genuinely reggaeton. These guys were presenting an alternative style, one that was purposefully different — when so many other reggaeton acts were parroting the mannerisms of Daddy Yankee and Don Omar in hopes of cashing in on the gold rush, Calle 13 blazed a trail of their own. They didn't catch on at first, but once they did, slowly but steadily, they were showered with acclaim, including three Latin Grammys, and they enjoyed surging popularity, especially among the MTV demographic. All of this success opened a lot of doors for the duo, as Residente (the vocalist) accepted invitations to work with Nelly Furtado and Alejandro Sanz and Visitante (the producer) with Shakira and Beyoncé on their "Beautiful Liar" collaboration — not bad for a reggaeton act. The thing is, Calle 13 is so much more than a reggaeton act, something they seem to stress on their second album, Residente o Visitante. Sure, reggaeton is the basis for the music of Residente and Visitante, but they synthesize it with a wide-ranging assortment of styles and sounds, including opera ("Intro"), tango ("Tango del Pecado"), bossa nova ("Un Beso de Desayuno"), electric guitar ("Llégale a Mi Guarida"), and cumbia ("La Cumbia de los Aburridos"). More than anything, though, rap and electronica are clear touchstones for Calle 13, as Residente is a gifted rapper who matches Eminem in terms of wit and playfulness while Visitante is a similarly gifted producer who creates multi-layered tracks that rarely sound alike. As expected, Residente o Visitante is a significantly more advanced album than Calle 13, given all that happened in the time between. For one, the guys are much more willing to experiment stylistically. The handful of collaborations — true collaborations, not phoned-in vocal tracks — seem to have been a vehicle for experimentation: the lead single, "Tango del Pecado," is a clever narrative graced instrumentally by the Bajofondo Tango Club; "Sin Exagerar" is a crazed runaway rap showcase teaming Residente with his labelmate Tego Calderón; "Mala Suerta con el 13" is an impressive boy-versus-girl face-off with rapper Mala Rodríguez; and "Pal Norte" features Cuban rappers Orishas. These aren't necessarily the best songs. They just happen to be the most interesting, because of the experimentation — and they're front-loaded, kicking off Residente o Visitante wildly. As the album nears its 15-track close, it's just Residente and Visitante, the mood turns darker, and the style turns increasingly away from reggaeton and toward a more general urban-alternative style. "A Limpiar el Sucio," in particular, is powerful, while "La Era de la Copiaera," the derisive final song, whose title translates to "The Age of the Copier," closes the album fittingly.

Customer Reviews

Calle 13 Changes the Scene...

With thier first album being a resounding and refreshing change to the same ol' beats you hear in every reggaeton song, Residente and Visitante hit hard with new beats that come inspired from classic hip hop and are complimented by unique instruments. On this follow up album, they bring their fresh musical styles with gritty political lyrics that tell stories of Puerto Rico that hit deep in the chest. While their lyricism at times can be crude, it's that passion that when mixed with the language and music that makes Calle 13 one of the freshest and greatest duos out there in the music world today. Bringing traditional tangos and cumbias with hip hop jams, Calle 13 has once again blown both reggaeton and hip hop out of the water with this album unlike anything heard before! Even for those who may not understand Spanish, the musical factor alone should be enough for you to purchase this album off iTunes. For those who do speak the language, this is another quality Calle 13 jump-off that will keep your head bouncin for days. ¡Viva Puerto Rico!

Finally, they are back!!!!!!

Awesome album. The lyrics are extremely explicit but this is no surprise. These two guys are geniouses. If you do not speak or understand Spanish this album should be an incentive to start learning it. "Excelente trabajo muchachos, hacia adelante sin importar la opinión de los llamados puritanos y/o "disque" moralistas". Highly recommended!!!!

Jamás me cansaré del residente

Más vulgar que nunca, Calle 13 le echa a este disco letras aún más escandálosas e insólitas que a su álbum debut. Es impresionante la facilidad con la que despliega sus trabalenguas mientras se esfuerza por burlarse de todo el mundo. Nadie se le escapa a la lengua picosa del residente. Y lo mejor de todo, no es Reggaetón. Recomendaciones: Tango del pecado, algo con-sentido, sin exagerar, pal norte y la cumbia de los aburridos.


Formed: Puerto Rico

Genre: Latin Urban

Years Active: '00s, '10s

It took the Puerto Rican duo Calle 13 roughly one year to catch on, after quietly debuting stateside in 2005 on White Lion (a small reggaeton label in partnership with Sony BMG) -- but catch on they certainly did. By the end of the following year, Calle 13 had become the hottest new artist in popular Latin music, garnering Grammy attention as well as widespread critical notices and steadily mounting album sales. Comprised of vocalist Residente (born René Pérez Joglar) and producer Visitante (Eduardo...
Full Bio
Residente o Vísitante, Calle 13
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Customer Ratings