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Party Down

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iTunes Review

As the in-house session guitarist for Henry Stone’s Miami-based Alston and TK labels, Little Beaver coaxed sounds out of his instrument that effortlessly evoked the muggy decadence of the Miami nightlife of the early ‘70s. His work with artists such as Betty Wright and Clarence Reid possesses an immediately recognizable flavor that blends down-home Southern leads with swampy wah-wah effects and proto-disco flourishes. His first solo album, Party Down, is arguably his finest recording. Though the lyrics rarely go beyond the incantatory repetition of phrases like “get into the party life,” Little Beaver’s evocative playing, and the slow-burning accompaniment of Henry Stone’s house band speak volumes. Beaver plays his hollow-bodied Gibson with the sort of head nodding, behind-the-beat phrasing that recalls Freddie Stone at his most relaxed, and though he's eager to display his virtuosity he also knows when to give the band room to stretch out over the tight, minimal grooves that are the foundation of the Miami sound. Party Down successfully captures the sound of Miami Soul at a thrilling pre-disco peak.


Born: August 15, 1945 in Forest City, AR

Genre: R&B/Soul

Years Active: '70s

Born William Hale on August 15, 1945, in Forrest City, AR, Little Beaver moved to Florida when he was a teenager. After recording for other labels, he recorded sides for the Cat label, an imprint of Henry Stone's TK Records of Hialeah, FL. His first charting singles were "Joey" and "Wish I Had a Girl Like You" b/w "Six Foot Hole." The next single, the hit "Party Down, Part 1," was later sampled by rap and hip-hop artists, like so much of the TK catalog. The mid-tempo groover was his biggest record....
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Party Down, Little Beaver
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