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Fathom Lane

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Customer Reviews


"Michael Ferrier’s Fathom Lane mine a territory that’s somewhere in the vicinity of Laurel Canyon-circa-1970, right at the moment psychedelic spirituality gave way to something earthier and browner. Hints of Crosby, Browne (when he was good), Parsons et al abound, and yet this is no retro album — the crisp, modern production and cool boy-girl vocals set this firmly in the present." Le'toile Magazine

"BEST OF 2013: Even with elegant female duet partner in Ashleigh Still, heavy use of the Laurels String Section and a core band able to switch from ambient twang-rock to psychedelic ’60s pop, the second effort by ex-Electropolis experimenter Michael Ferrier’s singer-songwriter vehicle is surprisingly intimate, laid-back and stylish without being trendy. The cover of Lou Reed’s “Perfect Day” is a perfect example." Twin Cities Critics Tally, MINNEAPOLIS STAR TRIBUNE

"On their 2012 debut album as Fathom Lane, Michael Ferrier and Ashleigh Still explored Gram Parsons-style country rock, a style they continue to mine on their new self-titled follow-up. The chemistry between the two is immediately apparent on gorgeous tracks like "Waltzing Blue Jesus" and "Sugardown." They even manage to bring something fresh to the oft-covered "Perfect Day," which takes on new meaning after Lou Reed's death." St. Paul PIONEER PRESS

Fathom Lane, Fathom Lane
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