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Groove Alchemy

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Album Review

Those expecting anything revolutionary or particularly new from Stanton Moore's trio with guitarist Will Bernard and Robert Walter on B-3 on Groove Alchemy will either be wonderfully relieved or woefully disappointed — there isn’t. The CD is aural evidence of the trio doing what it does best: being funky and playing in a relaxed, open style that keeps the grooves tight and the musicianship at a maximum. And it's enough.Check out the guitar and organ solos in “Squash Bottom,” the first of these dozen tracks. The popping vamps create the vibe and give way naturally — thanks to Moore’s deadly breaks — to Bernard’s multi-string chord solo and the percussive organ flow Walter is so famous for. Things get downright Meters-esque on “Pie-Eyed Manic,” with stuttering breaks and two sets of riffs answering one another after four bars apiece. And on it goes, though “Pot Licker” is the funkiest Walter has ever sounded on the B-3. Bernard pushes his chords and leads right through the melody to let the left-hand organ bassline stick out front. Moore just rolls through and develops his grooves as he plays. There is a cover of James Booker's “Keep on Gwine” on which Walter plays piano. Though he does so beautifully, it’s more about Moore’s ability to let his Crescent City, second-line swing develop and carry the tune. There’s a longish cover of “Neeps and Tatties” that becomes an outright rhythm brawl between Walter and Moore, as Bernard just eases into the flow and lets the knottier side of his guitar style get into the fray — all without letting the groove lilt. The real curve ball on this set is in its final track, a cover of the George Jones’ country vehicle “He Stopped Loving Her Today.” Bernard leads the way with his guitar on the melody, and Moore plays doubles on the front side rather than the backbeat. It’s still a ballad, but one that carries a distinctly New Orleans feel as it swells toward the end. Groove Alchemy is simply a good-time funky record, full of great beats, killer guitar, and nasty organ by a trio that knows how not to mess up a good thing.

Customer Reviews

Leave Your Ego at the Door

Stanton Moore is an amazing musician who continues to put out fun and interesting music to listen to. He always brings together a great collection of very talented musicians that only makes his music more interesting. Stanton is also a very intelligent musician. As one would expect from Stanton the drums really are the driving force behind these songs, they are also the most interesting part. That said, Stanton has a way of making his drums become the most prominent part of a song but without becoming overpowering and drowning out the other musicians. His drum solos are always thoughtful and interesting, not just banging as hard, loud, and fast as he can which is what many drummers seem to like to do these days. Stanton is what not just every drummer should aspire to be, but what every musician should aspire to be: A musician that always brings his talent but leaves his ego behind for the sake of making every song great. Stanton on this album, as always, is a wonderful band leader and puts together a great collection of very funky jazz songs... Enjoy!

Great Grooves!

Funk, jazz & more funk. Stanton's just one brilliant musician. This album is great. As a drummer myself, I'd take this guy's skills over any other drummer not named Steve Jordan or Ginger Baker. Just awesome.

Stanton Moore ROCKS

Way to go baby, you rock!!! Some how you always bring out the best. By the way, Yah-Ka -May was great. I listened to the CD so much I broke it. Don't listen to the reviews, they do not know what they"re talking about. Keep 'em coming. New Orleans is the best.


Born: July 9, 1972 in New Orleans, LA

Genre: Jazz

Years Active: '90s, '00s, '10s

A New Orleans musician in every sense of the word, drummer Stanton Moore's main gig is with his enormously popular funk band Galactic but he also plays with a wide variety of other musicians in both club and studio settings. Growing up in New Orleans, Moore was attracted to the thriving music scene, where he absorbed the work of Professor Longhair, Meters drummer Zigaboo Modeliste, and his mentor, Johnny Vidacovich. After meeting founding Galactic members Robert Mercurio and Rich Vogel in the early...
Full Bio
Groove Alchemy, Stanton Moore
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