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Echoes of Brazil

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Album Review

Entirely instrumental, Echoes of Brazil finds Badi Assad making the acoustic guitar her sole focus and paying tribute to some of Brazil's many heroes of the instrument. This splendid CD may not be the last word on Brazilian guitarists (who have played a crucial role in samba, choro, bossa nova, tropicalismo and Brazilian classical), but Assad does a fine job of reminding us what some of them contributed. It would have been impossible to tell the entire story on a single CD, and she makes no pretense of her tribute being all-inclusive. Assad, whose only accompaniment is acoustic bassist David Finck, salutes everyone from Garoto and Laurindo Almeida to Egberto Gismonti, Baden Powell and Luiz Bonfá. Much to her credit, she doesn't become a slavish imitator of any of them, and consistently demonstrates that she is a distinctive and impressive representative of the guitar herself.

Biography

Born: 1966 in Rio De Janeiro, Brazil

Genre: World

Years Active: '00s, '10s

Badi Assad is one of Brazil's most talented performers. A heartfelt vocalist who sings in English and Portuguese and is known for her Bobby McFerrin-like improvisations, Assad is also one of the country's truly accomplished guitar players. In 1995, Assad was voted Best Acoustic Fingerstyle Guitarist by editors of Guitar Player, while readers of the magazine named her album Rhythms the Best Classical Album of the Year. Although her earlier albums focused on unique interpretations of songs by songwriters...
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Echoes of Brazil, Badi Assad
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